The Children of Agni

Now, based from the last segment, I detail how the battle between the Asuras and the Devas goes all the way back to Mars, as this this would be the original Garden of Eden. And based from the lineage of Adam is shown to be the ancestors of the "Asuras", as they are a race of Giants having red hair with possibly red skin. This would be the race that the God of fire came from, as he is the immortal Enoch/Thoth of the Atlanteans. Then there is the serpent race called the "Devas", and how their symbology goes to Zeus, who would be the one to cast the "great flood" that had destroyed the once Earth-like Planet Mars. It's apparent that there were two races involved here, and how this war was taken to Earth, as the result of the war between the "Red Dragon" and his Angels, and Michael and his Angels.

If that is the case, then Adam was never created on Earth, but on Mars, and that the creation that was already here on Earth, would be the ones that were "spliced" by the Gods upon their arrival. This is where the Movies like "Jupiter Ascending", "The Oulander" and "Transformers 4: Age of Extinction", starts to come into play as the Extraterrestrials come and wipe out the previous Civilizations and life that was already placed on Earth.

This would be where Science tries to theorize the Asteroid that had destroyed the Dinosaurs and 75% of life, and then the apparent Volcanos and Earthquakes to which had erupted had killed off the rest. Then from there comes the "sudden" appearances of the mammals and human beings. However, within that statement details some plot holes. If the Darwinian Pool theory is based on all life stemming from this puddle, to which no one gives a good arguement on how this life started, then how did the mammals just come to be all of a sudden? If there was cataclysm that had wiped out the dinosaurs, and then somehow due to the destruction, and new life was ushered in the age of Mammals, then must be an explaination regarding this sudden appearance. There are people making the "Aquatic Ape theory", just to give fill in to the theory of the missing link as well. 

This is what I had stated in the Chapter "Evolution", as the Black people were already in America, Europe, and Asia, but they did not change into the white Europeans, nor the Arabs, and nor the East Modern Asians. This is where these Science theories on the "Out of Africa" ideaology starts to lie to the public people, because they do not want people to know the real truth. I have stated how there were different artifacts in China, in America, and Europe detailing the features and presence of Black people having to lived there, whether with other races, or before the other races came to those regions.

Then there are these skeletons of the "red haired" Giants, to which the American Indian Tribes have their legends on their ancestors battling against them. Even before the Smithsonian Institute came to intervene, there were many articles detailing the different findings of 12 to 15 foot tall skeletons of Giants, those that were red haired, and those that were cannibals, to which are said to be the Rakshasa, as some of the beings the God of fire had battled against.

Then from there comes the highest lifeform to be seeded by the Gods on Earth. This is where the story connects to Azazil/Iblis being tasked to destroy the evil Jinn race, although it's questionable if Iblis was tasked to destroy his own people (as this wouldn't make sense based on one account of saving the people, and the other on destroying), or the monsters and other Entities that was already roaming the Earth, to which are lumped together as the Jinn. It's apparent that there would be other Extraterrestrial groups aside from the Asuras and Devas.

This is also where the story of Ogun comes into play, as to make way for the seeding of mankind. In the Wiki states this: "In Yoruba religion, Ogun is a primordial orisha in Yoruba Land. In some traditions, he is said to have cleared a path for the other orisha to enter Earth, using a metal ax and with the assistance of a dog. To commemorate this, one of his praise names, or oriki, is Osin Imole or the "first of the primordial Orisha to come to Earth". He is the god of war and metals."

Dahomey religion: "In Dahomey religion, Gu is the vodun of war and patron deity of smiths and craftsmen. He was sent to earth to make it a nice place for people to live, and he has not yet finished this task."

This information details that when the Gods started to come down to this Earth, they started to wipe out the previous life on Earth, thus making way for the seeding of human life. This is where we go to the story of Thoth and the Atlanteans fleeing on a ship, and heading to the land of "Egypt" (Khem), and encountering the "Hairy Barbarians". Then from there, you should understand the esoteric knowledge based on Stanley Kubrick's "2001: A Space Odyssey", as this details the "hairy barbarians" or cavemen seeing the black Monolith that fell from Heaven and had changed their Evolution.

Based from the Wiki states this: "2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and Arthur C. Clarke, and was inspired by Clarke's 1951 short story "The Sentinel" and other short stories by Clarke. A novel released after the film's premiere was in part written concurrently with the screenplay. The film follows a voyage to Jupiter with the sentient computer HAL after the discovery of an alien monolith. It deals with themes of existentialism, human evolution, technology, artificial intelligence, and the possibility of extraterrestrial life...."

Plot: "In a prehistoric veldt, a tribe of hominids is driven away from its water hole by a rival tribe. The next day, they find an alien monolith has appeared in their midst; it helps them discover how to use a bone as a weapon and, after their first hunt, return to drive their rivals away with the newly discovered tool."

"Millions of years later, Dr. Heywood Floyd, Chairman of the United States National Council of Astronautics, travels to Clavius Base, a US lunar outpost. During a stopover at Space Station 5, he meets Russian scientists who are concerned that Clavius seems to be unresponsive. Floyd refuses to discuss rumours of an epidemic at the base. At Clavius, Floyd addresses a meeting of personnel to whom he stresses the need for secrecy with respect to their newest discovery."

"Floyd's mission is to investigate a recently found artefact, an identical monolith buried four million years earlier near the lunar crater Tycho. Floyd and others ride in a Moonbus to the monolith. As they examine the object, it is struck by sunlight, upon which it emits a high-powered radio signal."

"Eighteen months later, the American spacecraft Discovery One is bound for Jupiter, with mission pilots and scientists Dr. David Bowman and Dr. Frank Poole onboard, along with three other scientists in suspended animation. Most of Discovery's operations are controlled by "HAL", a HAL 9000 computer with a human personality. When HAL reports the imminent failure of an antenna control device, Bowman retrieves it in an extravehicular activity (EVA) pod but finds nothing wrong."

"HAL suggests reinstalling the device and letting it fail so the problem can be verified. Mission Control advises the astronauts that results from their twin 9000 computer indicate that HAL is in error about the reporting. HAL attributes the discrepancy to human error. Concerned about HAL's behaviour, Bowman and Poole enter an EVA pod so they can talk without HAL overhearing, and agree to disconnect HAL if he is proven wrong. HAL follows their conversation by lip reading."

"While Poole is on a space walk attempting to replace the antenna unit, HAL takes control of his pod, severs Poole's oxygen hose, and sets him adrift. Bowman takes another pod to rescue Poole; while he is outside, HAL turns off the life support functions of the three other crewmen in suspended animation, killing them. When Bowman returns to the ship with Poole's body, HAL refuses to let him in, stating that the astronauts' plan to deactivate him jeopardises the mission."

"Bowman opens the ship's emergency airlock manually, enters the ship, and proceeds to HAL's processor core, where he begins disconnecting HAL's circuits. HAL tries to reassure and assuage Bowman, then fearfully pleads with him to stop. When disconnection is complete, a prerecorded video message by Floyd plays, revealing that the mission's objective is to investigate the radio signal sent from the monolith to Jupiter. At Jupiter, Bowman finds a third, much larger, monolith orbiting the planet."

"He leaves Discovery in an EVA pod to investigate, but is pulled into a vortex of coloured light. Bowman is carried across vast distances of space, while viewing bizarre cosmological phenomena and strange landscapes of unusual colours. Eventually he finds himself in a large neoclassical bedroom where he sees, and then becomes, older versions of himself: first standing in the bedroom, middle-aged and still in his spacesuit, then dressed in leisure attire and eating dinner, and finally as an old man lying on a bed. A monolith appears at the foot of the bed, and as Bowman reaches for it, he is transformed into a foetus enclosed in a transparent orb of light, which floats in space beside the Earth."

Now, it's important to understand "which" Thoth this is, because this is where the arrival of the "Nommo" and the "Chitauri" comes into play, as this is the religion of "Dagon" and the "Black stone" worship from Mars. This will connect to the show "The X-files", detailing Scully explaining how the "Meteorite" that fell down from Mars and hitting "Antarctica", which had cause an "intervention" by creating an Evolution on Earth. This is where the Gods had met the "Hairy Barbarians" or "Cavemen", and thus had spliced them to be the possible modern humans. 

This is mentioned in the Movie "Prometheus" as the "Black goo" from the Engineers had came brought life onto the Planet Earth. In the X files, the Black goo would be the "Alien Virus" that is the considered blood of the Alien. Based from "Kroft talks about Movies" on the movie "Prometheus", details the Engineers trying to "recreate" a new Eden on Earth, as they had lost the original Eden from the past. This apparent "Eden" would have to be Mars, as this Planet was once Earth-like at one point. But it's interesting that the Black goo connects to the "Blood of the Lord", thus relating to Bacchus and the cult of Christianity. These Movies are revealing the apparent religion of the Gods.

Now, let's connect this to the Black stone in Mecca.........

Based from the Wiki states this on the Black Stone: "The Black Stone (Arabic: ٱلْحَجَرُ ٱلْأَسْوَد‎, al-Ḥajaru al-Aswad, 'Black Stone') is a rock set into the eastern corner of the Kaaba, the ancient building in the center of the Grand Mosque in Mecca, Saudi Arabia. It is revered by Muslims as an Islamic relic which, according to Muslim tradition, dates back to the time of Adam and Eve."

"The stone was venerated at the Kaaba in pre-Islamic pagan times. According to Islamic tradition, it was set intact into the Kaaba's wall by the Islamic prophet Muhammad in 605 CE, five years before his first revelation. Since then it has been broken into fragments and is now cemented into a silver frame in the side of the Kaaba."

"Its physical appearance is that of a fragmented dark rock, polished smooth by the hands of pilgrims. Islamic tradition holds that it fell from heaven as a guide for Adam and Eve to build an altar. It has often been described as a meteorite. The Black Stone of Kaaba Muslim pilgrims circle the Kaaba as a part of the tawaf ritual during the hajj and many try to stop to kiss the Black Stone, emulating the kiss that Islamic tradition records that it received from Muhammad. Muslims do not worship the Black Stone."

History and tradition: "The Black Stone was held in reverence well before Islam. It had long been associated with the Kaaba, which was built in the pre-Islamic period and was a site of pilgrimage of Nabataeans who visited the shrine once a year to perform their pilgrimage. The Kaaba held 360 idols of the Meccan gods. The Semitic cultures of the Middle East had a tradition of using unusual stones to mark places of worship, a phenomenon which is reflected in the Hebrew Bible as well as the Quran."

"However worshiping or praying to the stone is forbidden in Islam as per hadith reporting the saying of Omar, while bowing, worshiping and praying to such sacred objects is also described in the Tanakh as idolatrous and was the subject of prophetic rebuke. The meteorite-origin theory of the Black Stone has seen it likened by some writers to the meteorite which was placed and worshipped in the Greek Temple of Artemis. The Kaaba has been associated with fertility rites of Arabia. Some writers remark on the apparent similarity of the Black Stone and its frame to the external female genitalia."

"However, the silver frame was placed on the Black Stone to secure the fragments, after the original stone was broken. A "red stone" was associated with the deity of the south Arabian city of Ghaiman, and there was a "white stone" in the Kaaba of al-Abalat (near the city of Tabala, south of Mecca). Worship at that time period was often associated with stone reverence, mountains, special rock formations, or distinctive trees."

"The Kaaba marked the location where the sacred world intersected with the profane, and the embedded Black Stone was a further symbol of this as an object as a link between heaven and earth. Aziz Al-Azmeh claims that the divine name ar-Rahman (one of the names of God in Islam and cognate to one of the Jewish names of God Ha'Rachaman, both meaning "the Merciful One" or "the Gracious One") was used for astral gods in Mecca and might have been associated with the Black Stone. The stone is also thought to be associated with Allat. Muhammad is said to have called the stone "the right hand of al-Rahman".

It becomes evident that the Black Stone is based on the worship of the Queen of Heaven, who would be called "Diana of the Ephesians" or "Artemis". This is what Acts 19: 27,28 and 35 details on the "image" that fell down from Heaven.

Acts 19:27 “So that not only this our craft is in danger to be set at nought; but also that the temple of the great goddess Diana should be despised, and her magnificence should be destroyed, whom all Asia and the world worshippeth.”

Acts 19:28 “And when they heard these sayings, they were full of wrath, and cried out, saying, Great is Diana of the Ephesians.”

Acts 19:35 “And when the townclerk had appeased the people, he said, Ye men of Ephesus, what man is there that knoweth not how that the city of the Ephesians is a worshipper of the great goddess Diana, and of the image which fell down from Jupiter?”

Again, read the Chapters "Queen of Heaven", as this will detail the truth about the Black stone's worship towards the Queen of Heaven, who is the Black Goddess Diana.

Based from the Wiki states this on "Phobos Monolith": "The Phobos monolith is a large rock on the surface of Mars's moon Phobos. It is a boulder about 85 m (279 ft) across and 90 m (300 ft) tall. A monolith is a geological feature consisting of a single massive piece of rock. Monoliths also occur naturally on Earth, but it has been suggested that the Phobos monolith may be a piece of impact ejecta."

"The monolith is a bright object near Stickney crater, described as a "building sized" boulder, which casts a prominent shadow. It was discovered by Efrain Palermo, who did extensive surveys of Martian probe imagery, and later confirmed by Lan Fleming, an imaging sub-contractor at NASA Johnson Space Center."

"The general vicinity of the monolith is a proposed landing site by Optech and the Mars Institute, for a robotic mission to Phobos known as PRIME (Phobos Reconnaissance and International Mars Exploration). The PRIME mission would be composed of an orbiter and lander, and each would carry four instruments designed to study various aspects of Phobos' geology. At present, PRIME has not been funded and does not have a projected launch date."

"Former astronaut Buzz Aldrin has spoken about the Phobos monolith and his support for a mission to Phobos. The object appears in Mars Global Surveyor images SPS252603 and SPS255103, dated 1998. The object is unrelated to another monolith located on the surface of Mars, which NASA noted as an example of a common surface feature in that region."

From the website "coolinterestingstuff.com" states this: Buzz Aldrin – The Mars Monolith, Aliens and Phobos February 20, 2014 | A Strange Mystery | Alien Life, Space: "The ‘monolith’, was snapped from 165miles away using a special high resolution camera on board the Mars Reconnaissance Orbiter. Yisrael Spinoza, a spokesman for the HiRISE department of the university’s Lunar and Planetary Laboratory, said: ‘It would be unwise to refer to it as a “monolith” or “structure” because that implies something artificial, like it was put there by someone for example."

“Is it possible that there used to be an ancient civilization on Mars?’ It is possible NASA has the answer, this could be the first stage of disclosure ! Fuel was added to the flames after Buzz Aldrin, the second man to walk on the Moon, alluded to a similar monolith detected on Mars’ moon Phobos. Speaking on a U.S. cable television channel he said: ‘We should visit the moons of Mars."

‘There’s a monolith there – a very unusual structure on this little potato shaped object that goes around Mars once every seven hours. ‘When people find out about that they are going to say, “Who put that there? Who put that there?” Well the universe put it there, or if you choose God put it there.’

Let’s go check it out! In 2007 the Canadian Space Agency funded a study for an unmanned mission to Phobos known as PRIME (Phobos Reconnaissance and International Mars Exploration). The building-sized monolith is the main proposed landing site but not because scientists suspect UFO activity. They believe the object is a boulder exposed relatively recently in an otherwise featureless area of the asteroid-like moon. PRIME investigator Dr Alan Hildebrand said it could answer questions about the moon’s composition and history. ‘If we can get to that object, we likely don’t need to go anywhere else,’ he told his science team."

Then from "brobible.com" states this: "A decade ago, legendary NASA astronaut Buzz Aldrin told C-Span about seeing a monolith on Phobos, one of the two small moons that orbit Mars. Since that interview, untold numbers of people have tried to determine if that Mars monolith was created by aliens. And with good reason. “There is a monolith there. A very unusual structure on this little potato-shaped object that goes around Mars once in seven hours,” revealed the veteran of the historical 1969 Apollo 11 mission."

"“When people find out about that, they are going to say ‘Who put that there? Who put that there?’ Well, the universe put it there. If you choose, God put it there.”

"Aldrin, who was asked five years ago during a “Reddit AMA” if he believes aliens exist, stated, “There may be aliens in our Milky Way galaxy, and there are billions of other galaxies. The probability is almost CERTAIN that there is life somewhere in space. It was not that remarkable, that special, that unusual, that life here on earth evolved gradually, slowly, to where we are today. But the distances involved in where some evidence of life may be, they may be hundreds of light years away.” Almost CERTAIN, people."

"Recently, inspired by Aldrin’s interviews, UFO and alien expert Scott Waring went on a search for proof of the existence of alien life on Mars – something a former NASA scientist claims to have evidence of – by scouring photos of its moon Phobos. “Last night, I decided to take a look at the ESA [European Space Agency] site and the first photo I came across was in HD…and was of the Mars moon Phobos,” Waring wrote on his website. “This ESA image was just put up for the public to see on Dec 6, 2016, so it’s the newest out."

"There was only 25% of the moon visible because there was a shadow over its other 25%. I thought I could add light to the HD photo in order to explore the other 25% and low and behold, I made a huge discovery… the Buzz Aldrin monolith.” Waring added that the Mars monolith is “much bigger than any of us thought.” “We all assumed that the monolith was this tall rectangular structure that was found about five years ago, but it wasn’t,” he continued. “That was nothing."

"This new structure is very big, and must have been smudged out using Photoshop on most other Phobos photos in existence. The ESA editors must have missed this one, because its 100% evidence that aliens have constructed it and used the Mars moon as a space station… and may be controlling the moon, its orbit, speed even, today.” 100% evidence, folks. It doesn’t get any higher than that."

"So was the Mars monolith constructed by extraterrestrial life? Is there still evidence of their existence on Phobos?" 

In the movie "Evolution" details a similar storyline of a meteor crashing to Earth and creating new life. Interesting enough, it also details a liquid substance emitting from the meteor, pretty much connecting to the Black goo and the black stone theories. Here is what the Wiki states:

"Evolution is a 2001 American comic science fiction film directed by Ivan Reitman. It stars David Duchovny, Orlando Jones, Seann William Scott, Julianne Moore, and Ted Levine. It was released by DreamWorks Pictures in the United States and by Columbia Pictures internationally. The plot of the film follows college professor Ira Kane (Duchovny) and geologist Harry Block (Jones), who investigate a meteorite crash in Arizona. They discover that the meteorite harbors extraterrestrial lifeforms, which are evolving very quickly into large, diverse and outlandish creatures."

Plot: "A large meteor crashes in the barren Arizona desert late at night and is witnessed by would-be firefighter Wayne Grey. The next day, local college science professors Ira Kane and Harry Block investigate the crash site, discovering the meteor has landed in a cavern and 'bleeds' a strange blue liquid when scraped. They quickly learn that the meteor harbors extraterrestrial nitrogen-based microorganisms that condense millions of years of evolution within a matter of hours: the next day, the microscopic organisms have evolved into asexual fungi and flatworms that cannot breathe oxygen, and aquatic life the day after that. "

"The site is soon sealed off by the U.S. Army. Ira and Harry ask General Russell Woodman and the clumsy CDC Dr. Allison Reed to aid in their research, but their efforts fail when it is revealed Ira was discharged from the army after a failed experiment of his went terribly wrong. Woodman steals Ira and Harry's research, forcing them to infiltrate the base to get another meteor sample. To their shock and awe, the caverns now harbor an alien rainforest teeming with tropical plant and animal life, including flying insects and carnivorous plantlife."

"That night, a large reptilian creature fatally mauls the owner of a local country club, and the next day a dog-sized frog-like animal attacks two elderly ladies in their home. Ira, Harry and Wayne find a valley behind the home filled with suffocating dragon-like creatures, which they theorize cannot yet breathe oxygen and are escaping from the meteor site through the local caverns. However, a newly-born dragon quickly adapts to the earth's oxygen and terrorizes a shopping mall before being gunned down by the trio."

"With the media becoming increasingly aware of the alien attacks, the Governor of Arizona visits the site demanding answers. Allison believes that the aliens will engulf the United States in two months, and Woodman suggests a napalm strike to destroy the meteor's contents and the town around it. Though the governor does not want to bomb the community, the base is suddenly attacked by primate-like creatures that wound several members; this convinces the governor to approve Woodman's napalm strike."

"Disgusted, Allison quits the CDC and joins Ira's crew. Ira later realizes that intense heat triggers the aliens' DNA and that the initial impact to earth activated its evolution. Allison's pleas to Woodman are ignored and the town begins evacuating for the impending bombing strike. Looking at the positions of nitrogen and carbon on the periodic table, Ira theorizes that selenium might be poisonous to the aliens as arsenic is to Earth's carbon life."

"Much to Ira's surprise, two of his dumbest students, Deke and Danny Donald recall that selenium sulfide is the active ingredient in Head & Shoulders hair shampoo, which they decide to use against the alien organisms. Wayne procures a firetruck and fills it with the shampoo with help from his college students. However, Woodman's napalm strike goes off ahead of schedule before the team can try their plan, triggering the entire alien ecosystem to fuse together into a single immense amoeba-like blob that stands hundreds of feet tall. The giant mass begins multiplying through mitosis, which it would do infinitely until the country was overtaken by thousands of these gigantic creatures."

"The team maneuvers their firetruck underneath the mass and discovers a rectal-like orifice to spray the shampoo up-into; moments before the creature splits into two, the team is successful and the monster explodes. The governor declares Ira, Harry, Wayne and Allison heroes; Wayne is made a fully-credentialed firefighter, and Ira and Allison begin dating. Later, Harry, Ira and Wayne are shown promoting Head & Shoulders for both hair-care and fighting the aliens."

In the Chapter called "NASA", I connect the different Monoliths that was displayed in the late 2020s, as this is an esoteric message to the creation of mankind. This is what Acts 19 details on the Black Stone being the considered "image" that fell down from Heaven, and she would be the Gods Baal and Ashoreth would be the Gods worshiped in Mecca, and also by the whole world. 

Based from the "Emerald Tablets" details this segment: The Halls of Amenti: ".....Far in a past time, lost in the space time, the Children of Light looked down on the world. Seeing the children of men in their bondage, bound by the force that came from beyond. Knew they that only by freedom from bondage could man ever rise from the Earth to the Sun. Down they descended and created bodies, taking the semblance of men as their own. The Masters of everything said after their forming: "We are they who were formed from the space-dust, partaking of life from the infinite ALL; living in the world as children of men, like and yet unlike the children of men." This of course, connects to the coming of the Gods, as dubbed the "Annunaki", and their enslavement towards the mankind that was already here on Earth.

However, this needs to be broken down, as the creation of the two races are far different than the race that was already here on Earth. This is why the previous creation of Adam and the Serpent is symbolically told in several ways (let's break this down). Based from Genesis in the "Garden of Eden", states the Gods putting the newly created man called "Adam" to "till" the fields. Then when man was given the eternal knowledge of the Gods, they didn't want the man to become like a God and live forever, so they cast him out. 

However, based from this theme shows the "dependancy" on the "tree of life" as their way for immortality. In the stories from Hinduism, it's called the "Amrit" or "nectar of the Gods". In the Greco-Roman states that Zeus and the Gods would live off from the "Ambrosia" or the "Golden Apples" of immortality. In the Chinese story details the Gods living off from the "Peaches" of Immortality. In the Norse story states that they were called the "Golden Apples" of the Gods, to which (again) kept them in the immortal state. 

Now, it's apparent that the beginning of Genesis is not as literal as you might think, but is esoterically told (again) in the form of the Gods enslavement over mankind. This means that the Gods that kept the immortal tree of life for themselves would be "Zeus" and the Gods (as the Devas representing the Dragon symbology), and the one who gave the fire to mankind is the one called "Prometheus" (the Asuras representing the bird symbology), who would be "Enoch", the descendant of Adam (got this?) I have already stated the changes in the Bible, as this is esoterically broken down in this theme.

If the Greco-Roman stories details the Olympians enslaving mankind, while the other God was a considered saviour to mankind, then it should be noted that this group of mankind "doesn't" apply to Adam's kind, because Adam would be the "progenitor" of the Asuras, the Atlanteans, the Jinn, and Jotunn. "Prometheus" is "Azazil", "Iblis"  and "Enoch", as the "7th" son of Adam the Atlantean. And the Atlanteans are the considered "Jinn" race that was based from "Paradise", along with the serpent race. It's apparent that the two creations (the Asuras and the Devas) are based from the "Garden of Eden", which is Mars and not mankind on Earth.

So, to get the confusion out of the way, the Bible is based on two Extraterrestrial races, one is based on the Asuras, to whom the "Bird" symbology is based from, who would be Enoch, Iblis, Agni, the descendant of Adam (meaning red). And then there is the serpent race, as deemed the "Nagas" or "Devas". Then the battle between "Cain" and "Abel" is based on the "Set" and "Osiris" symbology, to whom after Set slew Osiris, the first man then becomes the "God of the Underworld". This story is also shown in the story of "Yama" the "Lord of the Underworld", who was said to be the first man to die, and become the God of the Underworld. 

So, after the Gods came down and saw "man" on the Earth, this is where it's stated that this particular race be an intelligent creature (or highest life form). This is where the story of the "Hairy barbarians" comes into play, as this takes place "after" the destruction of Atlantis, as this is based on Thoth's encounter with the Cavemen, detailing them to be the "Neanderthals", and other hominids that were already here on Earth. This would be the "intervention" of mankind on Earth by the Gods.

It's confirmed that the "Hairy Barbarians" or "cavemen", are a different type of people, and they would have nothing to do with the Ancient Atlanteans, who are the Jinn that goes back to Adam or his descendants. This shows that in the "Emerald tablets", after the destruction of the original Atlantis or Mars, the two Extraterrestrial races that came down had met the beings that already were here on Earth.

Based from the video called "Sadhguru: Shiva was an Alien", details Sadhguru speaking about the creatures that would be around Shiva. He states that one of these creatures would be called "Ganas". Based from the Wiki states this on the "Gana": "The word gaṇa (/ˈɡʌnə/; Sanskrit: गण) in Sanskrit and Pali means "flock, troop, multitude, number, tribe, category, series, or class". It can also be used to refer to a "body of attendants" and can refer to "a company, any assemblage or association of men formed for the attainment of the same aims". The word "gana" can also refer to councils or assemblies convened to discuss matters of religion or other topics. In Hinduism, the Gaṇas are attendants of Shiva and live on Mount Kailash. Ganesha was chosen as their leader by Shiva, hence Ganesha's title gaṇeśa or gaṇapati, "lord or leader of the ganas". 

Based from "religion.wiki.org" states this: "In Hinduism, the gana or bhutagana are attendants of Shiva that reside in chthonic and liminal locations such as cemeteries and charnel grounds. The bhutagana also attend to Shiva on Mount Kailash. The story of creation of Virabhadra from the Shiva's lock and destruction of Daksha by Virabhadra and his ganas is a popular myth.

So, in the video details the Ganas as looking like either humans or Gargoyles, but based from Sadhguru's statement details that these images are made later to be more humanlike, where they are Entities with "boneless limbs". Based from the Wiki states that these beings hung out in Cemetaries, as if they are "ghouls", because as the mythos states, they would also hang out in Cemetaries and places of the dead.

Based from the Wiki states this: "Ghoul (Arabic: غول‎, ghūl) is a demon-like being or monstrous humanoid originating in pre-Islamic Arabian religion, associated with graveyards and consuming human flesh. In modern fiction, the term has often been used for a certain kind of undead monster. By extension, the word ghoul is also used in a derogatory sense to refer to a person who delights in the macabre or whose profession is linked directly to death, such as a gravedigger or graverobber."

"In Arabic folklore, the ghul is said to dwell in cemeteries and other uninhabited places. A male ghoul is referred to as ghul while the female is called ghulah. A source[who?] identified the Arabic ghoul as a female creature who is sometimes called Mother Ghoul (ʾUmm Ghulah) or a relational term such as Aunt Ghoul. She is portrayed in many tales luring hapless characters, who are usually men, into her home where she can eat them. Some state[who?] that a ghoul is a desert-dwelling, shapeshifting demon that can assume the guise of an animal, especially a hyena."

"It lures unwary people into the desert wastes or abandoned places to slay and devour them. The creature also preys on young children, drinks blood, steals coins, and eats the dead, then taking the form of the person most recently eaten. One of the narratives identified a ghoul named Ghul-e Biyaban, a particularly monstrous character believed to be inhabiting the wilderness of Afghanistan and Iran."

"It was not until Antoine Galland translated One Thousand and One Nights into French that the western idea of ghoul was introduced into European society. Galland depicted the ghoul as a monstrous creature that dwelled in cemeteries, feasting upon corpses. Ghouls (Persian: غول‎) were also adopted into Iranian folklore. A ghoul is also a name for a female ghost."

Anyway, he then states some interesting information implying the arrival of Shiva and the Gods. He states that Shiva has always been described as a "Yaksha" or Celestial being, meaning that he came from "out there". He then states that somewhere in the past, something had intervened to bring mankind into the state of today, implying that "something" came and changed the Evolution of mankind.

It's so interesting to connect the Gods to the sudden shift of mankind, but as today's Science Community tries to debunk this subject, it all becomes too clear. You can't debunk something if you're going to try and hide the truth from the public. There is a video by an Indian man detailing the connections of the "Mahabarat" and the Mayans, and reveals some of the artifacts amongst the Mayan Temples, are shown to having the Hindu Gods. He reveals the God called "Ganesha", the God "Hanuman", and two "Shiva Lingams".

However, he also states how people are covering up the truth about the timelines, and how some of these artifacts connecting the Mayan to Hinduism are being erased. Apparently, the Smithsonian Institute has to be involved. It's like when I came across this picture on the "Black Aztecs".

This particular hat that this Black Indian is wearing is really the "Papal Tiara", as worn by the Pope. I find it interesting that alongside of the Aztec God of death wearing the Pope Mitre, this reveals the truth about Christianity.

Here is what the Wiki states on this subject: "The papal tiara is a crown that was worn by popes of the Catholic Church from as early as the 8th century to the mid-20th. It was last used by Pope Paul VI in 1963 and only at the beginning of his reign. The name "tiara" refers to the entire headpiece, including the various crowns, circlets, and diadems that have adorned it through the ages, while the three-tiered form that it took in the 14th century is also called the triregnum, triple tiara, or triple crown. From 1143 to 1963, the papal tiara was solemnly placed on the pope's head during a papal coronation. The surviving papal tiaras are all in the triple form, the oldest from 1572. A representation of the triregnum combined with two crossed keys of Saint Peter continues to be used as a symbol of the papacy and appears on papal documents, buildings, and insignia."

Origin "The papal tiara originated from a conical Phrygian cap or frigium. Shaped like a candle-extinguisher, the papal tiara and the episcopal mitre were identical in their early forms. Names used for the papal tiara in the 8th and 9th centuries include camelaucum, pileus, phrygium and pileum phrygium."

Then based from the "Origins of the papal tiara" states this: "The origins of the papal tiara remain somewhat nebulous and clouded in mystery, first appearing in the Early Middle Ages, but developing a recognizable form in the High Middle Ages, after the Great Schism of 1054. The word tiara itself occurs in the classical annals to denote a Persian headdress, particularly that of the "great king".[a] A camelaucum which was similar in shape to papal tiaras, was part of court dress in Byzantium; it was also inspired by the Phrygian cap, or frigium. Given that other rituals associated with the Papal Coronation, notably the use of the sedia gestatoria, were copied from Byzantine and eastern imperial ceremonial, it is likely that the tiara is also of Byzantine origin."

It's apparent that the "Phrygian" is based on the cult of "Mithras", to which Godfrey Higgins states is a Black God by origin.

Then based on the "Bloodletting" in Mesoamerica details this: "Bloodletting was the ritualized self-cutting or piercing of an individual's body that served a number of ideological and cultural functions within ancient Mesoamerican societies, in particular the Maya. When performed by ruling elites, the act of bloodletting was crucial to the maintenance of sociocultural and political structure. Bound within the Mesoamerican belief systems, bloodletting was used as a tool to legitimize the ruling lineage's socio-political position and, when enacted, was important to the perceived well-being of a given society or settlement." 

"Bloodletting was performed by piercing a soft body part, generally the tongue, and scattering the blood or collecting it on amate, which was subsequently burned. The act of burning the sacrificed blood symbolized the transferral of the offering to the gods via its transformation into the rising smoke. Piercing was accomplished using obsidian prismatic blades, stingray spines, or shark's teeth. Under some circumstances, a rope with attached thorns or obsidian flakes would be pulled through the tongue."

"Jade or stone spines and teeth have been found in the archaeological record. Some of these jade artifacts have rather dull points but might have been used once the initial cut was made, or might purely be ritualistic objects not used in actual bloodletting. The location of the bloodletting on the body often correlated with an intended result or a corresponding symbolic representation. For example, drawing blood from the genitals, especially the male sex organs, would be done with the intent of increasing or representing human fertility."

"Ritualized bloodletting was typically performed by elites, settlement leaders, and religious figures (e.g., shamans) within contexts visible to the public. The rituals were enacted on the summits of pyramids or on elevated platforms that were usually associated with broad and open plazas or courtyards (where the masses could congregate and view the bloodletting). This was done so as to demonstrate the connection the person performing the auto-sacrifice had with the sacred sphere and, as such, a method used to maintain political power by legitimizing their prominent social, political, and/or ideological position. While usually carried out by a ruling male, prominent females are also known to have performed the act. The El Perú tomb of a female (called the "Queen's Tomb") contains among its many grave goods a ceremonial stingray spine associated with her genital region. One of the best-known lintels from Mesoamerica, Yaxchilan Lintel 24 (right), shows Lady Xoc drawing a barbed rope through her tongue. In front of her, her husband and the ruler of Yaxchilan, Shield Jaguar, is shown holding a torch."

"Among all the Mesoamerican cultures, sacrifice, in whatever form, was a deeply symbolic and highly ritualized activity with strong religious and political significance. Various kinds of sacrifice were performed within a range of sociocultural contexts and in association with a variety of activities, from mundane everyday activities to those performed by the elites and ruling lineages with the aim of maintaining social structure. The social structure was maintained by showing that rulers blood sacrifice to the gods showed the power they had."

"At its core, sacrifice symbolized the renewal of divine energy and, in doing so, the continuation of life. Its ability of bloodletting to do this is based on two intertwined concepts that are prevalent in the Maya belief system. The first is the notion that the gods had given life to humankind by sacrificing parts of their own bodies. The second is the central focus of their mythology on human blood, which signified life among the Maya."

"Within their belief system, human blood was partially made up of the blood of the gods, who sacrificed their own divine blood in creating life in humans. Thus, in order to continually maintain the order of their universe, the Maya believed that blood had to be given back to the gods. The rulers are giving their blood to empower the gods in return for giving them life."

Then based from Thoth and the Atlanteans encountering the Hairy Barabarians, the "Emerald tablest" states this:

The History of Thoth, The Atlantean :"Called to me then the Master, saying: Gather ye together my people. Take them by the arts ye have learned of far across the waters, until ye reach the land of the hairy barbarians, dwelling in caves of the desert. Follow there the plan that ye know of. Gathered I then my people and entered the great ship of the Master. Upward we rose into the morning. Dark beneath us lay the Temple. Suddenly over it rose the waters. Vanished from Earth, until the time appointed, was the great Temple. Fast we fled toward the sun of the morning, until beneath us lay the land of the children of KHEM."

"Raging, they came with cudgels and spears, lifted in anger seeking to slay and utterly destroy the Sons of Atlantis. Then raised I my staff and directed a ray of vibration, striking them still in their tracks as fragments of stone of the mountain. Then spoke I to them in words calm and peaceful, telling them of the might of Atlantis, saying we were children of the Sun and its messengers. Cowed I them by my display of magic-science, until at my feet they groveled, when I released them."

This similar theme of Thoth using the "vibration" from the power of his staff, is also shown in the movie "Transformers: Revenge of the Fallen". In the Movie you can see the Antagonist using his staff to cause a "vibration", thus lifting the objects in the air. Perhaps this is kind of technology that was used to build these great monuments. I remember I video detailing a man using vibration to move stones in the air.

Then in the movie "Transformers 5: The Last Knight", details a "red autobot" giving the magician Merlin the staff to control the dragon. This theme is based on the God of fire meeting Moses, and teaching him the power through the staff. There Moses was able to turn the staff into a serpent, and bring plagues and such. 

Based from the wiki states this on Moses Staff: "The Staff of Moses is a staff mentioned in the Bible and Quran as a walking stick used by Moses. According to the Book of Exodus in the Bible, the staff (Hebrew: מַטֶּה‎ matteh, translated "rod" in the King James Bible) was used to produce water from a rock, was transformed into a snake and back, and was used at the parting of the Red Sea. Whether or not Moses' staff was the same as that used by his brother Aaron (known as Aaron's rod) has been debated by rabbinical scholars."

"The staff is first mentioned in the Book of Exodus (chapter 4, verse 2), when God appears to Moses in the burning bush. God asks what Moses has in his hand, and Moses answers "a staff" ("a rod" in the KJV version). The staff is miraculously transformed into a snake and then back into a staff. The staff is thereafter referred to as the "rod of God" or "staff of God" (depending on the translation). "And thou shalt take this rod in thine hand, wherewith thou shalt do signs".

"And Moses went and returned to Jethro his father in law, and said unto him, "Let me go, I pray thee, and return unto my brethren which are in Egypt, and see whether they be yet alive". And Jethro said to Moses, "Go in peace". And the LORD said unto Moses in Midian, "Go, return into Egypt: for all the men are dead which sought thy life".

"And Moses took his wife and his sons, and set them upon an ass, and he returned to the land of Egypt: and Moses took the rod of God in his hand. (KJV. Exodus chapter 4) Moses and Aaron appear before the pharaoh, and Aaron's rod is transformed into a serpent. Pharaoh's sorcerers are also able to transform their own rods into serpents, but Aaron's rod swallows their rods (Exodus 7:10-12)."

"Aaron's rod is again used to turn the Nile blood-red. It is used several times on God's command to initiate the plagues of Egypt. During the Exodus, Moses stretches out his hand with the staff to part the Red Sea. While in the "wilderness" after leaving Egypt Moses follows God's command to strike a rock with the rod to create a spring for the Israelites to drink from (Exodus 17:5-7). Moses does so, and water springs forth from the rock in the presence of the Elders of Israel."

"Moses also uses the staff in the battle at Rephidim between the Israelites and the Amalekites (Exodus 17:8-15). When he holds up his arms holding the "rod of God" the Israelites "prevail", when he drops his arms, their enemies gain the upper hand. Aaron and Hur help him to keep the staff raised until victory is achieved."

"Finally, God tells Moses to get water for the Israelites from a rock by speaking to the rock (Numbers 20:8). But Moses, being vexed by the complaining of the Israelites, instead of speaking to the rock as God commanded, strikes the rock twice with the staff. Because Moses did not obey God's command to speak to the rock, implying lack of faith, God punished Moses by not letting him enter into the Promised Land (Numbers 20:12)."

"Because Aaron's rod and Moses' rod are both given similar, seemingly interchangeable, powers, Rabbinical scholars debated whether or not the two rods were one and the same. According to the Midrash Yelammedenu (Yalḳ. on Ps. ex. § 869): the staff with which Jacob crossed the Jordan is identical with that which Judah gave to his daughter-in-law, Tamar (Gen. xxxii. 10, xxxviii. 18). It is likewise the holy rod with which Moses worked (Ex. iv. 20, 21), with which Aaron performed wonders before Pharaoh (Ex. vii. 10), and with which, finally, David slew the giant Goliath (I Sam. xvii. 40)."

"David left it to his descendants, and the Davidic kings used it as a scepter until the destruction of the Temple, when it miraculously disappeared. When the Messiah comes it will be given to him for a scepter in token of his authority over the heathen. In later Jewish legend the rod was said to have been created at the beginning of the world on the sixth day of creation and to have been passed down through the hands of the major patriarchs before being inherited by Moses."

Then based from "Aaron's Rod" states this: "Aaron's rod refers to any of the walking sticks carried by Moses's brother, Aaron, in the Torah. The Bible tells how, along with Moses's rod, Aaron's rod was endowed with miraculous power during the Plagues of Egypt that preceded the Exodus. There are two occasions where the Bible tells of the rod's power."

"In the culture of the Israelites, the rod (Hebrew: מַטֶּה‎ maṭṭeh) was a natural symbol of authority, as the tool used by the shepherd to correct and guide his flock (Psalm 23:4). Moses's rod is, in fact, cited in Exodus 4:2 as carried by him while he tended his sheep; and later (Exodus 4:20) becomes his symbol of authority over the Israelites (Psalm 2:9, Psalm 89:32, Isaiah 10:24 and 11:4, Ezekiel 20:37)."

"The rods of both Moses and Aaron were endowed with miraculous power during the Plagues of Egypt (Exodus 7:17, 8:5, 8:16–17, 9:23, and 10:13); God commanded Moses to raise his rod over the Red Sea when it was to be parted (Exodus 14:16) and in prayer over Israel in battle (Exodus 17:9); Moses brings forth water from a stone using his rod (Exodus 17:2–6)."

"Aaron's rod, however, is cited twice as exhibiting miraculous power on its own, when not physically in the grasp of its owner. In Exodus 7 (Parshat Va'eira in the Torah), God sends Moses and Aaron to the Pharaoh once more, instructing Aaron that when the Pharaoh demands to see a miracle, he is to "cast down his rod" and it will become a serpent."

"When he does so, the Pharaoh's sorcerers counter by similarly casting down their own rods, which also become serpents, but Aaron's rod swallows them all. "The Pharaoh's heart is stubborn" and he chooses to ignore this bit of symbolic warning, and so the Plagues of Egypt ensue. Notably, this chapter begins with God telling Moses, "Behold, I have made you as God to the Pharaoh and your brother Aaron will be your prophet." As God transmits his word through his prophets to his people, so Moses will transmit God's message through Aaron to the Pharaoh. The prophet's task was to speak God's word on God's behalf. He was God's "mouth". (Exodus 4:15–16)

"In Numbers 16, Korah's rebellion against Moses's proclamation of the tribe of Levi as the priesthood has been quashed and the entire congregation's ensuing rebellion has resulted in a plague, ended only by the intercession of Moses and Aaron. In order to "stop the complaints" of the Israelites, God commands that each of the Twelve Tribes provide a rod; and only that of the tribe chosen to become priests will miraculously sprout overnight."

"Aaron provides his rod to represent the tribe of Levi, and "it put forth buds, produced blossoms, and bore ripe almonds" (Numbers 17:8), as an evidence of the exclusive right to the priesthood of the tribe of Levi. In commemoration of this decision it was commanded that the rod be put again "before the testimony" (Numbers 17:10). A book of the Christian Bible seems to assert (Hebrews 9:4) that the rod was kept in the Ark of the Covenant."

Then based from the website "biblicalarchaeology.org" states this on Jesus carrying a "Magic wand": Jesus Holding a Magic Wand? Supernatural Depictions of Jesus in Early Christian Art Marek Dospěl August 08, 2021: "Did Jesus use a magic wand when performing his miracles? It seems so—if we are to judge by some of the earliest depictions of Jesus in Christian art. Early Christian iconography provides us with precious insights into the esthetics of early Christians."

"Inspired by biblical and apocryphal texts, the earliest Christian imagery is also a window into the theological thinking of the third- and fourth-century followers of Jesus. Coming primarily from funerary contexts, early Christian art is especially rich in mural paintings found in catacombs and in smaller sculptures, such as sarcophagi and tombstones. It is thus no surprise that the repertoire of motifs expressed in these media is mostly associated with the afterlife and healing (physical or spiritual)."

"In his article “Jesus the Magician? Why Jesus Holds a Wand in Early Christian Art,” published in the Fall 2020 issue of Biblical Archaeology Review, Lee M. Jefferson of Centre College in Danville, Kentucky, zooms on one particular subject from the plethora of artistic motifs—Jesus holding a wand or rod while performing a healing or miracle."

“The implement that Jesus holds (sometimes called a virga or rabdos) is portrayed as either thick and ruddy, such as on the sarcophagi, or thin and reed-like, such as in catacomb paintings. He uses it in the performance of a miracle, leading several scholars to conclude that early Christians understood Jesus as a magician. The problem with this identification is that early Christians greatly maligned magic,” remarks Jefferson, before introducing the varied representations of Jesus and his miracle-working tool."

"Utterly theatrical and visualizing the authority of the new religion (Christianity), the most popular scene of early Christian funerary art was the raising of Lazarus. Jesus usually stands in front of a small shrine that holds the swaddled cadaver and he uses a wand to summon forth Lazarus from his grave, where he had been dead for four days (John 11)."

"Even though the Bible never mentions Jesus using a wand in performing his miracles, you may recall other prominent biblical figures who did use a similar tool to work miracles. Moses reportedly used a rod to separate the Red Sea to save his people from the Pharaoh’s army during their daring escape from Egypt (Exodus 14). And he later used a rod to strike the rock and provide drinking water for his fellow Israelites during their wanderings to the Promised Land (Exodus 17:2). Is this where the early Christians got the idea, or were they inspired by the pagan imagery of the larger Greco-Roman world?"

"The only other New Testament figure who can be seen using a wand to perform a miracle in early Christian art is the apostle Peter. Illustrating a legend attested in apocryphal literature, the scene usually shows Peter striking a rock with a stick, in the presence of two other figures, who wear Roman military cloaks and headgear. According to the legend, Peter during his detention in Rome miraculously opened a spring of water, which he then used to baptize his two jailers."

"Influenced by modern pop culture and literary characters, such as Harry Potter, we may be forgiven for interpreting the mysterious tool as a magic wand. The reality is even more complex and fascinating. “For early Christians, Jesus performing miracles with the staff was not magical. Rather, it was intrinsically biblical (recalling Moses) and innately ecclesial (touting the supremacy of the Church),” explains Jefferson. To dive into the various representations of Jesus with a wand and to discover their true meaning, read Lee M. Jefferson’s article “Jesus the Magician? Why Jesus Holds a Wand in Early Christian Art,” published in the Fall 2020 issue of Biblical Archaeology Review."

Then based from the Book of Enoch details the Watchers being cast into "Outer Darkness". This is where the "Phantom Zone" is based on, as the rebels were put into a prison in another dimension. Based from Azazel's Wiki states this: Enochic literature:

"In the Dead Sea Scrolls, the name Azazel occurs in the line 6 of 4Q203, The Book of Giants, which is a part of the Enochic literature found at Qumran. Despite the expectation of Brandt (1889) to date no evidence has surfaced of Azazel as a demon or god prior to the earliest Jewish sources among the Dead Sea Scrolls. The Book of Enoch brings Azazel into connection with the Biblical story of the fall of the angels, located on Mount Hermon, a gathering-place of demons of old."

"Here, Azazel is one of the leaders of the rebellious Watchers in the time preceding the Flood; he taught men the art of warfare, of making swords, knives, shields, and coats of mail, and taught women the art of deception by ornamenting the body, dyeing the hair, and painting the face and the eyebrows, and also revealed to the people the secrets of witchcraft and corrupted their manners, leading them into wickedness and impurity until at last he was, at Yahweh's command, bound hand and foot by the archangel Raphael and chained to the rough and jagged rocks of [Ha] Dudael (= Beth Ḥadudo), where he is to abide in utter darkness until the great Day of Judgment, when he will be cast into the fire to be consumed forever."

"The whole earth has been corrupted through the works that were taught by Azazel: to him ascribe all sin. — Book of Enoch 10:8"

"According to the Book of Enoch, Azazel (here spelled ‘ăzā’zyēl) was one of the chief Grigori, a group of fallen angels who married women. Many believe that this same story (without any mention of Azazel) is told in the Book of Genesis 6:2–4: And it came to pass [...] that the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose. [...]"

"There were giants in the earth in those days; and also afterward, when the sons of God came in unto the daughters of men, and they bore children to them, the same became mighty men which were of old, men of renown. These "sons of God" have often been thought of as fallen angels, and are sometimes equated with the Nephilim. (On the other hand, it has also been argued that the phrase refers only to pious men, or else that it should be translated "sons of the rulers".)"

"Enoch portrays Azazel as responsible for teaching people to make weapons and cosmetics, for which he was cast out of heaven. The Book of Enoch 8:1–3a reads, "And Azazel taught men to make swords and knives and shields and breastplates; and made known to them the metals [of the earth] and the art of working them; and bracelets and ornaments; and the use of antimony and the beautifying of the eyelids; and all kinds of costly stones and all colouring tinctures. And there arose much godlessness, and they committed fornication, and they were led astray and became corrupt in all their ways." The corruption brought on by Azazel and the Grigori degrades the human race, and the four archangels (Michael, Gabriel, Raphael, and Uriel) “saw much blood being shed upon the earth and all lawlessness being wrought upon the earth […] The souls of men [made] their suit, saying, "Bring our cause before the Most High; […] Thou seest what Azazel hath done, who hath taught all unrighteousness on earth and revealed the eternal secrets which were in heaven, which men were striving to learn."

"God sees the sin brought about by Azazel and has Raphael “bind Azazel hand and foot and cast him into the darkness: and make an opening in the desert – which is in Dudael – and cast him therein. And place upon him rough and jagged rocks, and cover him with darkness, and let him abide there forever, and cover his face that he may not see light.” Azazel's fate is foretold near the end of Enoch 2:8, where God says, “On the day of the great judgement he shall be cast into the fire.” He will be delivered to the angels of punishments (Satan)."

Then based from the "Phantom Zone" from Superman, states this: The Phantom Zone is a fictional prison-like parallel dimension appearing in American comic books published by DC Comics, commonly in association with stories featuring Superman. It first appeared in Adventure Comics #283 (April 1961), and was created by Robert Bernstein and George Papp. It was frequently used in the Superman comics before the continuity was rebooted in the 1980s, after Crisis on Infinite Earths, and has appeared occasionally since."

Based from the website "dc.fandom.com" states this: "Another dimension. The ultimate purgatory of punishment and exile. A timeless sensory deprivation tank that, in time... will drive any prisoner mad. —Eradicators"

"The Phantom Zone is an interdimensional realm outside the normal space/time continuum. New Earth It is a barren and insubstantial null area absent of any physical material. There is only one native denizen to the Phantom Zone, the enigmatic and powerful entity known as the Aethyr. All cause and effect that occurs within the zone does so at Aethyr's capricious whim. People who travel into the negative zone are no longer corporeal and exist only as psychic phantasms of their true selves. Though their minds and personalities remain intact, they can no longer physically interact with any other being."

"This includes direct physical contact as well as the power of speech. Communication within the Phantom Zone is done so by telepathy. As the Phantom Zone exists outside of space/time, those within it are no longer subject to the rigors of age or illness, rendering them effectively immortal – and they also require no sleep, food or air."

"Many years ago, the penal system of the planet Krypton sentenced their criminals by placing them in suspended animation. The Kryptonian scientist Jor-El discovered the existence of the Phantom Zone and introduced it as an alternative means of imprisonment. He had little knowledge of the true inner workings of the zone, but believed that it was a more humane form of punishment over that which they had previously employed."

"He developed a projection device that could send people into and retrieve them from the zone with the simple flick of a black button and a white button respectively. The first prisoner to be exiled to the Phantom Zone was the renegade scientist Jax-Ur. Jax-Ur, a former colleague of Jor-El's, was responsible for the destruction of Krypton's moon Wegthor and the deaths of over five-hundred lunar colonists."

"Over a short expanse of time, the Kryptonian Science Council began exiling the worst of the planet's criminals into the zone, the most famous of which was the military insurrectionist General Zod. When Jor-El later discovered that Krypton was going to explode due to geological instability, he proposed bringing the entire population of Krypton into the zone."

"Jor-El never had the opportunity or approval to conduct such a plan, and ultimately everyone living on the planet Krypton died when it exploded. Those within the Phantom Zone survived however. It was years before they ever learned the truth about their homeworld's destruction. Several of the exiled criminals, now led by General Zod, found a means of escaping the zone and eventually came to Earth where they battled the "Last Son" of Krypton, Jor-El's son Kal-El."

"Occasionally, a Phantom Zoner who has completed their sentence is allowed to be released. One such example is Ak-Var, who was released by Superman and then joined his fellow Kryptonians in the Bottled City of Kandor. It was later revealed that the Phantom Zone is in fact the mythical "Underworld," home to the likes of Hades, Annwn, Erishkagal and Pluto."

There are stark similarities between the "incubator" scene in the movie "Man of Steel", in "Transformers: Revenge of the Fallen", and in the Dragonball Z story on the Saiyans. They are always showing the newborn children being set in these pods, and being determined which societal role they should play. Then based from the movie "The Matrix", they would be called "The Matrix womb".

So, based on the "Antarctica" situation, I came across some interesting videos based from "Wowforreeel", a Youtuber who found caves and a strange circular engraving on the grounds of Antarctica. It's really interesting as you would see two large caves, to which seems to indicate some kind of pathway inside Antarctica (The reader can look up his Channel).

Now, based on another information on Antarctica, I had came across Linda Moulton Howe's research on this subject. The Channel "UAMN" with the Title "Secrets of UFO and the Extraterrestrial presence". Now, when learning about her information on Antarctica, she states that two Navy Spartans had claimed to have seen large monuments and rooms filled with Alien technology, and the hieroglyphics are described as looking like "Egyptian" and "Mayan", but are neither. She states on how one of them had said about Alien structures buried two miles deep in Antarctica.

Then based on one source, she states that this person had relayed information on three Extraterrestrial types trying to take control of the Earth, and how the Government knows it. The source details that one of the E.T. groups had created the Dinosaurs and then had wiped it out, in which we get the Asteroid wiping out the Dinosaur conclusion. Now, I wanted to see who these three Extraterrestrials are, and was very dissapointed to learn that this "secret" and "dangerous" information she claims from her source, are information based on the "Tall whites" with blonde, agressive upright walking "Reptilians" and the "Greys", and how they were warring against each other for the ownership of Planet Earth.

So, when she had said this, I immediately knew the disinformation being provided in this interview. I have much respect for Linda's works on the Cattle and animal mutilation cases in which she would be known for, but to just pass down some information of three typical Extraterrestrials battling against each other for the control of Planet Earth, I don't buy this at all. It's like the Agent orange issue in Richard Hall's "UFO NATO Human mutilation cover-up", as the case for the Brazilian man who suffered the same fate as the "Cattle mutilation" cases, she goes to an expert and accepts this case to being the act of "Agent Orange".

This was the Documentary that had called out Linda's claims of the Brazilian victim to being Agent Orange, when there were clear cuts and holes based from some kind of device, and the rectum pulled out are not something "Agent Orange" would do. Now, I can make mistakes in my work, in which tell the reader to do their own research, but based on her statements just tells me how much these UFO Communities are controlled, as they are the controlled opposition.

Sure there are some truths here and there, but I know that the information based from these "UFO conventions" and Documentaries are to deter people away from the actual truth. I can have my speculations about certain things, but I'll also provide certain resources for the reader to do their own research. Now, you know the "red haired" Giants are being covered up by the Smithsonian Institute, and their existence is not being mentioned at all. I also find it interesting that for a "top secret" Government information on Extraterrestrials, there is not one mention of the "Black Extraterrestrials", to which was exposed by the late Dr. Norman Bergrun of NASA. He had came out with the book "Ring makers of Saturn", and in his book would detail Extraterrestrial ships creating energy around the Planet Saturn.

Then there is Dagon who is worshiped in Church and religions, and is shown to be the Black God Shiva who holds the "Vajra" weapon shown throughout the Mythos. Then there is the God of fire's description shown throughout the Mythos, and how He has "red hair" and fire all around Him. These qualities are not human, but are showing these Entities to be something else entirely.