The Children of Agni

Now, in this chapter we will get in-depth of learning about Revelations 4, and what it "really" describes it to be as opposed to the Christian ideology. So, here in this chapter states this: 

"Revelation Chapter 4: "1After this I looked, and, behold, a door was opened in heaven: and the first voice which I heard was as it were of a trumpet talking with me; which said, Come up hither, and I will shew thee things which must be hereafter. 2And immediately I was in the spirit: and, behold, a throne was set in heaven, and one sat on the throne. 3And he that sat was to look upon like a jasper and a sardine stone: and there was a rainbow round about the throne, in sight like unto an emerald."

"4And round about the throne were four and twenty seats: and upon the seats I saw four and twenty elders sitting, clothed in white raiment; and they had on their heads crowns of gold. 5And out of the throne proceeded lightnings and thunderings and voices: and there were seven lamps of fire burning before the throne, which are the seven Spirits of God. 6And before the throne there was a sea of glass like unto crystal: and in the midst of the throne, and round about the throne, were four beasts full of eyes before and behind. 7And the first beast was like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast was like a flying eagle." 

"8And the four beasts had each of them six wings about him; and they were full of eyes within: and they rest not day and night, saying, Holy, holy, holy, Lord God Almighty, which was, and is, and is to come. 9And when those beasts give glory and honour and thanks to him that sat on the throne, who liveth for ever and ever, 10The four and twenty elders fall down before him that sat on the throne, and worship him that liveth for ever and ever, and cast their crowns before the throne, saying, 11Thou art worthy, O Lord, to receive glory and honour and power: for thou hast created all things, and for thy pleasure they are and were created."

Now, in the 3 verse states this: "3And he that sat was to look upon like a jasper and a sardine stone: and there was a rainbow round about the throne, in sight like unto an emerald." There was a rainbow round about the throne of God, and how His sight was like unto an "emerald". The term "Emerald" is green in color meaning that this particular color surrounds this God. In the Chapter "Thoth is Enoch", I detail the connections of the "Emerald Tablets", of how Thoth came to observe and give the same description of this powerful being that He saw. 

Now, the Jasper stone has various colors ranging from yellow, Ocean, blue and bergundy, but the common color would probably be the bergundy, due to it being similar to the Sardine stone. So, it would be like a dark reddish hue in one manner, and the Emerald color coming forth. However, this also reminds me of the Jade Emperor in the Chinese Lore "The Monkey King". Below you can see the "rainbow" that emanates from the Jade Emperor just like Revelations 4....

In the Wiki states this: "The Jade Emperor (Chinese: 玉皇; pinyin: Yù Huáng or 玉帝, Yù Dì) in Chinese culture, traditional religions and myth is one of the representations of the first god (太帝 tài dì). In Daoist theology he is the assistant of Yuanshi Tianzun, who is one of the Three Pure Ones, the three primordial emanations of the Tao. He is also the Cao Đài ("Highest Power") of Caodaism known as Ngọc Hoàng Thượng đế. In Buddhist cosmology he is identified with Śakra. In Korean mythology he is known as Haneullim. The Jade Emperor is known by many names, including Heavenly Grandfather (天公, Tiān Gōng), which originally meant "Heavenly Duke", which is used by commoners; the Jade Lord; the Highest Emperor; Great Emperor of Jade (玉皇上帝, Yu Huang Shangdi or 玉皇大帝, Yu Huang Dadi)."

"One of the myths describes how the Jade Emperor became the monarch of all the deities in heaven. It is one of the few myths in which the Jade Emperor really shows his power. In the beginning of time, the earth was a very difficult place to live, much harsher than it is now. People had to deal with a variety of monstrous beings, and they didn’t have many gods to protect them; in addition, many powerful demons were defying the immortals of heaven. The Jade Emperor was an ordinary immortal who roamed the earth helping as many people as he could. He was saddened because his powers could only ease the suffering of humans. He retreated to a mountain cave to cultivate his Tao. "

"He passed 3,200 trials, each trial lasting about 3 million years. On earth at this time, a powerful, evil entity had the ambition to conquer the immortals and gods in heaven and proclaim sovereignty over the entire universe. This evil entity also went into retreat and meditation to expand its power, though later than the Jade Emperor did. He passed through 3,000 trials, each trial lasting about 3 million years. After its final trial, it felt confident that no one could defeat it. It re-entered the world and recruited an army of demons with the purpose of attacking heaven. The immortals, being aware of the threat, gathered themselves and prepared for war. The gods were unable to stop the powerful demon and it defeated them all."

"The Jade Emperor finished his cultivation during this war. When he was changing the land to make it more liveable for men and repelling a variety of monsters, he saw an evil glow radiating from heaven and knew something was amiss. He ascended and saw that the evil entity was too powerful to be stopped by the gods. He challenged it, and they fought. Mountains shook and rivers and seas toppled. Due to his deeper and wiser cultivation, his benevolence instead of his might, the Jade Emperor won the battle. After the evil entity was defeated, its army was scattered by the gods and immortals. Because of his noble and benevolent deeds, the gods, immortals and humans proclaimed the Jade Emperor the supreme sovereign of all."  

"The Jade Emperor was originally the assistant of the Divine Master of the Heavenly Origin, Yuanshi Tianzun. Yuanshi Tianzun is said to be the supreme beginning, the limitless and eternal creator of Heaven and Earth, who picked Yu-huang, or the Jade Emperor, as his personal successor.......Early Catholic missionaries to China wrote often about the Jade Emperor. They noticed that, "The stories of Jesus and the Jade Sovereign are, in certain aspects, quite similar. In both cases it is claimed that a god incarnated as a human being." On the other hand, they denounced the cult of the Jade Emperor as "superstitious," and compared unfavorably the "legends" about the Jade Emperor with what they claimed was a solid historical record documenting the existence and life of Jesus."

Very interesting as they didn't want to recognize the connections of Jesus and the Jade Emperor. This is because He would be Michael the archangel that had fought against the Red Dragon, and with whom was given the throne after the battle. He would be Shang-di, Huang-di, to the Black God, the Black Buddha and Vishnu.

This is where the Bible is based on as he is "Baal", Moloch, Dagon, Remphan, to Chiun the god of the six-pointed star. (See "The Black God", "Truth about Shang-di", "Thoth is Enoch" and "Legend of the Bird" for the battles between the two gods)

The Jade Emperor would be Michael the Archangel, Horus, Xuan Wu, Murugan, Vishnu, to Indra the "King of the Devas". Let's see what the term "Devas" is all about. In the Wiki states this:

"Deva (/ˈdeɪvə/; Sanskrit: देव, Deva) means "heavenly, divine, anything of excellence", and is also one of the terms for a deity in Hinduism. Deva is a masculine term; the feminine equivalent is Devi. In the earliest Vedic literature, all supernatural beings are called Devas and Asuras. The concepts and legends evolve in ancient Indian literature, and by the late Vedic period, benevolent supernatural beings are referred to as Deva-Asuras. In post-Vedic texts, such as the Puranas and the Itihasas of Hinduism, the Devas represent the good, and the Asuras the bad. In some medieval Indian literature, Devas are also referred to as Suras and contrasted with their equally powerful but malevolent half-brothers, referred to as the Asuras. Devas, along with Asuras, Yakshas (nature spirits) and Rakshasas (ghoulish ogres), are part of Indian mythology, and Devas feature in many cosmological theories in Hinduism."

"Deva is a Sanskrit word found in Vedic literature of 2nd millennium BCE. Monier-Williams translates it as "heavenly, divine, terrestrial things of high excellence, exalted, shining ones". The concept also is used to refer to deity. The Sanskrit deva- derives from Indo-Iranian *daiv- which in turn descends from the Proto-Indo-European word, *deiwo-, originally an adjective meaning "celestial" or "shining", which is a (not synchronic Sanskrit) vrddhi derivative from the root *diw meaning "to shine", especially as the day-lit sky." "The feminine form of *deiwos is *deiwih2, which descends into Indic languages as devi, in that context meaning "female deity". Also deriving from *deiwos, and thus cognates of deva, are "Zeys/Ζεύς" - "Dias/Δίας", the Greek father of the gods, Lithuanian Dievas (Latvian Dievs, Prussian Deiwas), Germanic Tiwaz (seen in English "Tuesday") and the related Old Norse Tivar (gods), and Latin deus "god" and divus "divine", from which the English words "divine", "deity", French "dieu", Portuguese "deus", Catalan "déu", Spanish "dios" and Italian "dio" are derived. It is related to *Dyeus which while from the same root, may originally have referred to the "heavenly shining father", and hence to "Father Sky", the chief God of the Indo-European pantheon, continued in Sanskrit Dyaus. The abode of the Devas is Dyuloka."

"According to Douglas Harper, the etymological roots of Deva mean "a shining one," from *div- "to shine," and it is a cognate with Greek dios "divine" and Zeus, and Latin deus "god" (Old Latin deivos). Deva is masculine, and the related feminine equivalent is devi. Etymologically, Devi is cognate Latin dea. When capitalized, Devi or Mata refers to a divine mother goddess in Hinduism. Deva is also referred to as Devatā, while Devi as Devika. The word Deva is also a proper name or part of name in Indian culture, where it refers to "one who wishes to excel, overcome" or the "seeker of, master of or a best among".

Then let's look at the story of Marduk and start comparing from there. Here in the Wiki states this: "Marduk (Sumerian: amar utu.k "calf of the sun; solar calf") was a late-generation god from ancient Mesopotamia and patron deity of the city of Babylon. When Babylon became the political center of the Euphrates valley in the time of Hammurabi (18th century BC), Marduk slowly started to rise to the position of the head of the Babylonian pantheon, a position he fully acquired by the second half of the second millennium BC. In the city of Babylon, Marduk was worshiped in the temple Esagila. Marduk is associated with the divine weapon Imhullu. His symbolic animal and servant, whom Marduk once vanquished, is the dragon Mušḫuššu. "Marduk" is the Babylonian form of his name. The name Marduk was probably pronounced Marutuk. The etymology of the name Marduk is conjectured as derived from amar-Utu ("immortal son of Utu" or "bull calf of the sun god Utu"). The origin of Marduk's name may reflect an earlier genealogy, or have had cultural ties to the ancient city of Sippar (whose god was Utu), dating to the third millennium BC. By the Hammurabi period, Marduk had become astrologically associated with the planet Jupiter."

"In Enûma Elish, a civil war between the gods was growing to a climactic battle. The Anunnaki gods gathered together to find one god who could defeat the gods rising against them. Marduk, a very young god, answered the call and was promised the position of head god. To prepare for battle, he makes a bow, fletches arrows, grabs a mace, throws lightning before him, fills his body with flame, makes a net to encircle Tiamat within it, gathers the four winds so that no part of her could escape, creates seven nasty new winds such as the whirlwind and tornado, and raises up his mightiest weapon, the rain-flood."

"Then he sets out for battle, mounting his storm-chariot drawn by four horses with poison in their mouths. In his lips he holds a spell and in one hand he grasps a herb to counter poison. First, he challenges the leader of the Anunnaki gods, the dragon of the primordial sea Tiamat, to single combat and defeats her by trapping her with his net, blowing her up with his winds, and piercing her belly with an arrow. Then, he proceeds to defeat Kingu, who Tiamat put in charge of the army and wore the Tablets of Destiny on his breast, "wrested from him the Tablets of Destiny, wrongfully his", and assumed his new position. Under his reign, humans were created to bear the burdens of life so the gods could be at leisure; the lowly creatures built Marduk a temple called Ba-Bel ('Gate of God')."

"Marduk was depicted as a human, often with his symbol the snake-dragon which he had taken over from the god Tishpak. Another symbol that stood for Marduk was the spade." 

"During the first millennium BC, the Babylonians worshipped a deity under the title "Bel", meaning "lord", who was a syncretization of Marduk, Enlil, and the dying god Dumuzid. Bel held all the cultic titles of Enlil and his status in the Babylonian religion was largely the same. Eventually, Bel came to be seen as the god of order and destiny. The cult of Bel is a major component of the Jewish story of "Bel and the Dragon" from the apocryphal additions to Daniel. In the account, the Babylonians offer "twelve bushels of fine flour, twenty sheep, and fifty gallons of wine" every day to an idol of Bel and the food miraculously disappears overnight. The Persian king Cyrus the Great tells the Jewish wise man Daniel that the idol is clearly alive, because it eats the food that is offered to it, but Daniel objects that it "is only clay on the inside, and bronze on the outside, and has never tasted a thing." Daniel proves this by secretly covering the floor of the temple with ash. Daniel and Cyrus leave the temple and, when they return, Daniel shows the king the human footprints that have been left on the floor, proving that the food is really being eaten by the seventy priests of Bel. Bel is also mentioned in the writings of several Greek historians."

So, it becomes clear that He is Baal who defeats the dragon (Anzu Bird). Here, he is shown with a dragon by his side.

Now, when I was looking up the name of this particular creature called the "Seraphim", I find this to be similar to the serpent that Marduk has. In the Wiki states this:

"A seraph ("the burning one") is a type of celestial or heavenly being originating in Ancient Judaism. The term plays a role in subsequent Judaism, Christianity, and Islam. The singular "seraph" is a back-formation from the Hebrew plural-form "seraphim", whereas in Hebrew the singular is "saraph". Tradition places seraphim in the highest rank in Christian angelology and in the fifth rank of ten in the Jewish angelic hierarchy. A seminal passage in the Book of Isaiah (Isaiah 6:1–8) used the term to describe six-winged beings that fly around the Throne of God crying "holy, holy, holy". This throne scene, with its triple invocation of holiness, profoundly influenced subsequent theology, literature and art. Its influence is frequently seen in works depicting angels, heaven and apotheosis. Seraphim are mentioned as celestial beings in an influential Hellenistic work, the Book of Enoch, and the Book of Revelation."

"The word saraph/seraphim appears four times in the Book of Isaiah (6:2–6, 14:29, 30:6). In Isaiah 6:2–6 the term is used to describe a type of celestial being or angel. The other uses of the word refer to serpents."

In the Bible states this: "Isaiah 6:2 "Above it stood the seraphims: each one had six wings; with twain he covered his face, and with twain he covered his feet, and with twain he did fly.

Isaiah 6:6 "Then flew one of the seraphims unto me, having a live coal in his hand, which he had taken with the tongs from off the altar:"

Isaiah Chapter 14:29 "Rejoice not thou, whole Palestina, because the rod of him that smote thee is broken: for out of the serpent's root shall come forth a cockatrice, and his fruit shall be a fiery flying serpent."

Isaiah Chapter 30:6 "The burden of the beasts of the south: into the land of trouble and anguish, from whence come the young and old lion, the viper and fiery flying serpent, they will carry their riches upon the shoulders of young asses, and their treasures upon the bunches of camels, to a people that shall not profit them."

"Seraphim appear in the 2nd-century BC Book of Enoch, where they are mentioned, in conjunction with cherubim, as the heavenly creatures standing nearest to the throne of God. They are also called the Akyəst (Ge'ez: አክይስት "serpents", "dragons"; an alternate term for Hell)."

"In the Second Book of Enoch, two classes of celestial beings are mentioned alongside the seraphim and cherubim, known as the phoenixes and the chalkydri ("brass, copper", "hydra", "water-serpent"—lit. "brazen hydras", "copper serpents"). Both are described as "flying elements of the sun" that reside in either the 4th or 6th heaven, who have twelve wings and burst into song at sunrise."

So, they claim this to be the "fiery serpents", that are seen with God? Now, it is evident that Revelations 4 details the description of the Jade Emperor, so can those Chinese dragons be the same "seraphims" that is mentioned in the Bible? Let's see the term Chinese Dragon in the Wiki:

"Chinese dragon, also known as Long or Lung, are legendary creatures in Chinese mythology, Chinese folklore, and culture at large. Chinese dragons have many animal-like forms such as turtles and fish, but are most commonly depicted as snake-like with four legs. They traditionally symbolize potent and auspicious powers, particularly control over water, rainfall, typhoons, and floods. The dragon is also a symbol of power, strength, and good luck for people who are worthy of it in East Asian culture. During the days of Imperial China, the Emperor of China usually used the dragon as a symbol of his imperial strength and power. Dragon stone relief, between flights of steps in the Forbidden City. Portrait of the Yongle Emperor wearing a dragon robe In Chinese culture, excellent and outstanding people are compared to a dragon, while incapable people with no achievements are compared to other, disesteemed creatures, such as a worm. A number of Chinese proverbs and idioms feature references to a dragon, such as "Hoping one's son will become a dragon."

"Historically, the Chinese dragon was associated with the Emperor of China and used as a symbol to represent imperial power. The founder of the Han dynasty Liu Bang claimed that he was conceived after his mother dreamt of a dragon. During the Tang dynasty, Emperors wore robes with dragon motif as an imperial symbol, and high officials might also be presented with dragon robes. In the Yuan dynasty, the two-horned five-clawed dragon was designated for use by the Son of Heaven or Emperor only, while the four-clawed dragon was used by the princes and nobles. Similarly during the Ming and Qing dynasty, the five-clawed dragon was strictly reserved for use by the Emperor only."

"Sometimes Chinese people use the term "Descendants of the Dragon" (simplified Chinese: 龙的传人; traditional Chinese: 龍的傳人) as a sign of ethnic identity, as part of a trend started in the 1970s when different Asian nationalities were looking for animal symbols as representations, for example, the wolf may be used by the Mongols as it is considered to be their legendary ancestor."

(Very interesting as the animal symbolism is based on the "wolf" for the Mongols. Even the original banner of Prophet Muhammed's flag was that of an eagle. "The Black Banner or Black Standard (Arabic: الراية السوداء‎ ar-rāyat as-sawdāʾ, also known as الراية العقاب al-rāyat al-ʻuqāb "banner of the eagle" or simply as ‏الراية‎ ar-rāyah "the banner") is one of the flags flown by Muhammad in Muslim tradition.")

".... Many pictures of Chinese dragons show a flaming pearl under their chin or in their claws. The pearl is associated with spiritual energy, wisdom, prosperity, power, immortality, thunder, or the moon. Chinese art often depicts a pair of dragons chasing or fighting over the flaming pearl. Chinese dragons are occasionally depicted with bat-like wings growing out of the front limbs, but most do not have wings, as their ability to fly (and control rain/water, etc.) is mystical and not seen as a result of their physical attributes."

Now, there is also the feathered Serpent symbolism based from the God "Quetzalcoatl", and also has descriptions of flying serpents paralleled to "Huang-di" (Yellow Emperor. See "Truth about Shang-di" and "The Encounters"). Here in the Wiki states this: " Quetzalcoatl, in honorific form: Quetzalcōhuātzin) is a deity in Mesoamerican culture and literature whose name comes from the Nahuatl language and means "Precious serpent" or "Quetzal-feathered Serpent". In the 17th century, Ixtlilxóchitl, a descendant of Aztec royalty and historian of the Nahua people, wrote, "Quetzalcoatl, in its literal sense, means 'serpent of precious feathers', but in the allegorical sense, 'wisest of men'."

"...Quetzalcoatl, the Aztec god of wind, air, and learning, wears around his neck the "wind breastplate" ehecailacocozcatl, "the spirally voluted wind jewel" made of a conch shell. This talisman was a conch shell cut at the cross-section and was likely worn as a necklace by religious rulers, as such objects have been discovered in burials in archaeological sites throughout Mesoamerica, and potentially symbolized patterns witnessed in hurricanes, dust devils, seashells, and whirlpools, which were elemental forces that had significance in Aztec mythology."

"Among the Aztecs, whose beliefs are the best-documented in the historical sources, Quetzalcoatl was related to gods of the wind, of the planet Venus, of the dawn, of merchants and of arts, crafts and knowledge. He was also the patron god of the Aztec priesthood, of learning and knowledge. Quetzalcoatl was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. Two other gods represented by the planet Venus are Quetzalcoatl's ally Tlaloc (the god of rain), and Quetzalcoatl's twin and psychopomp, Xolotl."

"To the Aztecs, Quetzalcoatl was, as his name indicates, a feathered serpent, a flying reptile (much like a dragon), who was a boundary-maker (and transgressor) between earth and sky. He was a creator deity having contributed essentially to the creation of mankind. He also had anthropomorphic forms, for example in his aspects as Ehecatl the wind god. Among the Aztecs, the name Quetzalcoatl was also a priestly title, as the two most important priests of the Aztec Templo Mayor were called "Quetzalcoatl Tlamacazqui". 

"There are several stories about the birth of Quetzalcoatl. In a version of the myth, Quetzalcoatl was born by a virgin named Chimalman, to whom the god Onteol appeared in a dream. In another story, the virgin Chimalman conceived Quetzalcoatl swallowing an emerald. A third story narrates that Chimalman was hit in the womb by an arrow shot by Mixcoatl and nine months later she gave birth to a child which was called Quetzalcoatl. A fourth story narrates that Quetzalcoatl was born from Coatlicue, who already had four hundred children who formed the stars of the Milky Way." 

This story obviously mirrors to that of Jesus being born from Mary as she was a Virgin, Huang-di who was born from a Virgin, Horus was born from the Virgin Isis, Buddha was born from the Virgin Maya, to Michael being born from the Queen of Heaven (See "Peacock angel" and "Queen of Heaven". And from the chapter "Saturn Rothchildia", I detail how Quetzalcoatl is Tohil, to Huitzilopochtli, Kulkukan, and Gucumatz, as they are the same deity. Even Quetzalcoatl is shown dying on a cross in the same manner as Jesus (So, nothing is new under the sun).

Then there is information based on Quetzalcoatl not having any human sacrifices done towards him is false. And the term "Seraphim", as they are serpents that either has two to six wings is also synonymous to the images of the feathered serpent. 

(Now, if you look at the statue of the Buddha, you will see the hairs shown as curly hair. These Historians are trying to say they are "snails", in which is not true. Then you see the similar hair style on Quetzalcoatl above being shown with "curly hair". This confirms that this is the real hair of the Black God, who is Michael the archangel. See "Queen of Heaven" and "The Truth about Shang-di")

Now, the term "Children of the dragon", does not pertain to the Modern East Asians, as they came later, but towards the original nations that were there prior to their arrival. Now, when I came across certain nations that were there in the lands of Asia, I find these artifacts and the original gods to have been black in complexioned. From Robert Sepehre's perspective, (Though I respectfully disagree with him on this subject matter), he states that the Buddha and the people over there were blonde with blue eyes. This I can partly agree, as I have seen how there is some obscure history based on the white inhabitants in some of those areas. However, the "blue-eyed" Buddha is based on the Aryans changing the gods of the black nations into their own image, in which the God of Fire told them to destroy but didn't. They kept their idols and their gods to this day and just change them into Indian or chinese looking Buddhas. See "The Black God", "The real Aryans 1", The Queen of Heaven" and "Truth about Shang-di", to see their original forms. 

Now, it is already established that the Children of Israel are those East modern Asians, and how they were led to those lands by "their" God. The God of the Black people are those deities that the Red dragon (Fiery Bird) had fought against in the Ancient battles. The term "dragon faced", is based on the features of those black nations, due to having a flat nose like the Chinese dragon. Just like there are people with a "hook nose", is like that of a bird, this can also show why the devil is shown as having a hook nose, because it's really a bird like being. (See "legend of the Bird")

This is where the "real" descendants of the dragon are based on, as they are the Black people with the "original" look, not these European, Asian, Indian mixed Blacks that we have today. This is why the  "N" word that is refered to the black race actually goes back to "Naga", which is serpent (And it's not refered to the people called the "Naga", as those are the Israelites that went astray, and clearly wear the clothing of African tribes. See "The real Aryans 1")

In the Wiki states this: "In Hinduism, Buddhism and Jainism, the Nāga (IAST: nāga; Devanāgarī: नाग) or Nagi (f. of nāga; IAST: nāgī; Devanāgarī: नागी) are divine, semi-divine deities, or a semi-divine race of half-human half-serpent beings that reside in the netherworld (Patala) and can occasionally take human form. They are principally depicted in three forms: wholly human with snakes on the heads and necks, common serpents, or as half-human half-snake beings. A female naga is a "Nagi", "Nagin", or "Nagini". Nagaraja is seen as the king of nāgas and nāginis. They are common and hold cultural significance in the mythological traditions of many South Asian and Southeast Asian cultures."

"The mythological serpent race that took form as cobras often can be found in Hindu iconography. The nāgas are described as the powerful, splendid, wonderful and proud semidivine race that can assume their physical form either as human, partial human-serpent or the whole serpent. Their domain is in the enchanted underworld, the underground realm filled with gems, gold and other earthly treasures called Naga-loka or Patala-loka. They are also often associated with bodies of waters — including rivers, lakes, seas, and wells — and are guardians of treasure. Their power and venom made them potentially dangerous to humans. However, they often took beneficial protagonist role in Hindu mythology, such as in Samudra manthan mythology, Vasuki, a nāgarāja who abides on Shiva's neck, became the churning rope for churning of the Ocean of Milk. Their eternal mortal enemies are the Garudas, the legendary semidivine birdlike-deities."

"Vishnu is originally portrayed in the form sheltered by Śeṣanāga or reclining on Śeṣa, but the iconography has been extended to other deities as well. The serpent is a common feature in Ganesha iconography and appears in many forms: around the neck, use as a sacred thread (Sanskrit: yajñyopavīta) wrapped around the stomach as a belt, held in a hand, coiled at the ankles, or as a throne. Shiva is often shown garlanded with a snake. Maehle (2006: p. 297) states that "Patanjali is thought to be a manifestation of the serpent of eternity".

"As in Hinduism, the Buddhist nāga generally has the form of a great cobra, usually with a single head but sometimes with many. At least some of the nāgas are capable of using magic powers to transform themselves into a human semblance. The nāga is sometimes portrayed as a human being with a snake or dragon extending over his head. One nāga, in human form, attempted to become a monk; and when telling it that such ordination was impossible, the Buddha told it how to ensure that it would be reborn a human, and so able to become a monk. The nāgas are believed to both live on Nagaloka, among the other minor deities, and in various parts of the human-inhabited earth. Some of them are water-dwellers, living in streams or the ocean; others are earth-dwellers, living in caverns."

"The nāgas are the followers of Virūpākṣa (Pāli: Virūpakkha), one of the Four Heavenly Kings who guards the western direction. They act as a guard upon Mount Sumeru, protecting the dēvas of Trāyastriṃśa from attack by the asuras. Among the notable nāgas of Buddhist tradition is Mucalinda, Nāgarāja and protector of the Buddha. In the Vinaya Sutra (I, 3), shortly after his enlightenment, the Buddha is meditating in a forest when a great storm arises, but graciously, King Mucalinda gives shelter to the Buddha from the storm by covering the Buddha's head with his seven snake heads. Then the king takes the form of a young Brahmin and renders the Buddha homage."

(Now, they state a "Brahmin", when he is a black god that "predates" the arrival of the Brahmins.)

Based from "The Anacalypsis" BOOK IV. CHAP. I. "Christ Black" page 138: "Osiris and his Bull were black ; all the Gods and Goddesses of Greece were black : at least this was the case with Jupiter, Bacchus, Hercules, Apollo, Ammon. The Goddesses Venus, Isis, Hecati, Diana, Juno, Metis, Ceres, Cybile, are black. The Multi- mammia is black in the Campidoglio at Rome, and in Montfaucon, Antiquity explained. The Linghams in India, anointed with oil, are black : a black stone was adored in numbers of places in India."

"It has already been observed that, in the galleries, we constantly see busts and statues of the Roman Emperors, made of two kinds of stone } the human part of the statue of black stone, the drapery white or coloured. When they are thus described, I suppose they are meant to be repre- sented as priests of the sun ; this was probably confined to the celebration of the Isiac or Egyptian ceremonies."

"9. On the colour of the Gods of the ancients, and of the identity of them all with the God Sol, and with the Cristna of India, nothing more need be said. The reader has already seen the strik- ing marks of similarity in the history of Cristna and the stories related of Jesus in the Romish and heretical books. He probably will not think that their effect is destroyed, as Mr. Maurice flatters himself, by the word Cristna in the Indian language signifying black, and the God being of that colour, when he is informed, of what Mr. Maurice was probably ignorant, that in all the Romish y^/ , countries of Europe, in France, Italy, Germany, &c, the God Christ, as well as his mother, are described in their old pictures and statues to be black."

"The infant God in the arms of his black mother, his eyes and drapery white, is himself perfectly black. If the reader doubt my word, he may go to the cathedral at Moulins — to the famous chapel of the Virgin at Loretto — to the church of the Annunciata — the church of St. Lazaro, or the church of St. Stephen at Genoa — to St. Francisco at Pisa — to the church at Brixen, in the Tyrol, and to that at Padua — to the church of St."

"Theo- dore, at Munich, in the two last of which the whiteness of the eyes and teeth, and the studied redness of the lips, are very observable ; — to a church and to the cathedral at Augsburg, where are a black virgin and child as large as life : — to Rome, to the Borghese chapel Maria Maggiore — to the Pantheon — to a small chapel of St. Peter's, on the right-hand side on entering, near the door ; and, in fact, to almost innumerable other churches, in countries professing the Romish religion." There is scarcely an old church in Italy where some remains of the worship of the black virgin and black child are not to be met with."

"....If the author had wished to invent a circumstance to corroborate the assertion, that the Romish Christ of Europe is the Cristna of India, how could he have desired any thing more striking than the fact of the black Virgin and Child being so common in the Romish countries of Europe ? A black virgin and child among the white Germans, Swiss, French, and Italians ! ! ! The Romish Cristna is black in India, black in Europe, and black he must remain — like the ancient Gods of Greece, as we have just seen. But, after all, what was he but their Jupiter, the second person of their Trimurti or Trinity, the Logos of Parmenides and Plato, an incarnation or emanation of the solar power ?"

Now, on the term of the "Red Dragon" being the one worshiped isn't true at all, for the whole world has always been worshiping the Gods that "defeated" this being. This is why I stated from the Chapters "Nag-Hammadi" and "Queen of Heaven", how there are problems with those scriptures, because the whole world "already" worships the Baal and Ashtoreth.

Based from Acts 19:26, 27, and 35: "26Moreover ye see and hear, that not alone at Ephesus, but almost throughout all Asia, this Paul hath persuaded and turned away much people, saying that they be no gods, which are made with hands: 27So that not only this our craft is in danger to be set at nought; but also that the temple of the great goddess Diana should be despised, and her magnificence should be destroyed, whom all Asia and the world worshippeth. 28And when they heard these sayings, they were full of wrath, and cried out, saying, Great is Diana of the Ephesians......"

"35And when the townclerk had appeased the people, he said, Ye men of Ephesus, what man is there that knoweth not how that the city of the Ephesians is a worshipper of the great goddess Diana, and of the image which fell down from Jupiter?"

Then based from the Mythologies and the Biblical accounts, the whole world "already" worshiped Diana of the Ephesians, who is known as Ashtoreth, Inanna, Mary, Athena, Sophia to the Black Queen of Heaven Christianity. These Gods and are the Gods of the Black nations, to which are basically Christianity, Judaism and Islam (See "The Black God", "Queen of Heaven", and "Prophets of Baal"). Now, when detailing the term "demiurge", this is based on Baal and Ashtoreth, or what people can state "Yaldabaoth" and the Goddess "Sophia". Based on the "Demiurge", there are other epithets like "god · goddess · mother goddess · divine being · celestial being · supreme being · creator · godhead · daemon · numen · power · avatar". Now, I needed to question certain points in the Bible, because if the God of fire was ruling all the nations then why did they have their own gods?

Then it becomes evident that these very gods are Jupiter (as Zeus, Vishnu, Michael, Murugan, Baal, Moloch, Dagon) and the Queen of Heaven, to which has been worshiped for many years. Then this is why the God of fire had told many times to the Children of Israel to not worship the Queen of Heaven.

Jeremiah 44:18 “But since we left off to burn incense to the queen of heaven, and to pour out drink offerings unto her, we have wanted all things, and have been consumed by the sword and by the famine.”

Jeremiah 44:19 “And when we burned incense to the queen of heaven, and poured out drink offerings unto her, did we make her cakes to worship her, and pour out drink offerings unto her, without our men?”

Jeremiah 7:18 “The children gather wood, and the fathers kindle the fire, and the women knead their dough, to make cakes to the queen of heaven, and to pour out drink offerings unto other gods, that they may provoke me to anger.”

BOOK I. CHAPTER III page 44 & 46: "44 Diodorus Siculus says, that it was the belief of the ancients that Osiris, Serapis, Dionusos, Pluto, Jupiter, and Pan, were all one. 3 Ausonius represents all the deities to be included under the term Dionusos. 4 Sometimes Pan 5 was called the God of all, sometimes Jupiter. 6 Nonnus also states, that all the different Gods, whatever might be their names, Hercules, Am- nion, iVpollo, or Mithra, centred in the Sun. Mr. Selden says, whether they be called Osiris, or Omphis, or Nilus, or Siris, or by any other name, they all centre in the Sun, the most ancient deity of the nations. 7 Basnage 8 says, that Osiris, that famous God of the Egyptians, was the Sun, or rather the Sun was the emblem of the beneficent God Osiris."

"46 Jupiter is the king, Jupiter himself is the original source of all things ; there is one power, one god, and one great ruler over all. 1 But we have seen that Jupiter and all the other Gods were but names for the Sun ; therefore it follows that the Sun, either as emblem or as God himself, was the object of universal adoration."

"The Heathens, even in the later days of their idolatry, were not so gross in their notions, but that they believed there was only one supreme God. They did, indeed, worship a multitude of deities, but they supposed all but one, to be subordinate deities. They always had a notion of one deity superior to all the powers of heaven, and all the other deities were conceived to have different offices or ministrations under him — being appointed to preside over elements, over cities, over countries, and to dispense victory to armies, health, life, and other blessings to their favourites, if permitted by the Supreme Power."

"Hesiod supposes one God to be the Father of the other deities j — — &suv TJaryp ^Se kui Avtiouv' and Homer, in many passages of the Iliad, represents one Supreme Deity as presiding over all the others ; 2 and the most celebrated of their philosophers always endeavoured to assert this theology. 3 5. Dr. Shuckford has shewn that the Egyptians originally worshiped the Supreme God, under the name of Cneph, affirming him to be without beginning or end."

"Philo Biblius says, that they represented him by the figure of a serpent with the head of a hawk, in the middle of a circle — cer- tainly a very mythological emblem ; but then he represents them to have given to this Being all the attributes of the Supreme God the Creator, incorruptible and eternal. Porphyry calls him rou Av)[j.i8f>yov, the Maker or Creator of the universe."

To state Jupiter to being the "Supreme God" is merely one perspective. When Jupiter and the Gods defeated the other group of Gods, this is when he becomes a ruler, thus taking the title as "King of the Gods". However, what makes things interesting is the how the other God defies the rulership of these other Gods. I came across listening to Robert Morning Sky's "Galactic history" lecture, and (as long this story goes) he stated an interesting statement based on that the Egyptian God Ra, and how he had obliterated the history of the other gods and made himself the only "Supreme being". If this is so, then the same can apply to the Christian stand point of God, thus destroying the illusion of God to being the "only" Supreme being.

There are countless shows detailing the reptilians or lizard men invading planets. It is popular to hear about the story of Reptilians invading earth or that there was a war between one race and the reptilian races. Now, it states that they would have the countenance of the serpent, then it makes sense as to why their hairstyle are shown with dreadlocks, braids, and corn rolls. Does this not resemble their looks from these extraterrestrial movies, as they have the type of hair stylized as something serpentine like? In the Emerald Tablets states that they would be “serpent headed.” 

Even when you look up the goddess called the "Gorgon", you will see the hair in the form of "dreadlocks". This hairstyle evidently shows the Dragon gods and their looks. In the Wiki states this: "In Greek mythology, a Gorgon (Gorgon/Gorgo) is a mythical creature portrayed in ancient literature. While descriptions of Gorgons vary and occur in the earliest examples of Greek literature, the term commonly refers to any of three sisters who had hair made of living, venomous snakes, as well as a horrifying visage that turned those who beheld her to stone.....The name derives from the ancient Greek word γοργός gorgós, which means "grim, dreadful", and appears to come from the same root as the Sanskrit: गर्जन, garjana, which is defined as a guttural sound, similar to the growling of a beast, thus possibly originating as an onomatopoeia"

"....The concept of the Gorgon is at least as old in classical Greek mythology as Perseus and Zeus. The name is Greek, being derived from "gorgos" and translating as terrible or dreadful. The large Gorgon eyes, as well as Athena's "flashing" eyes, are symbols termed "the divine eyes" by Gimbutas (who did not originate the perception); they appear also in Athena's sacred bird, the owl. They may be represented by spirals, wheels, concentric circles, swastikas, firewheels, and other images. The awkward stance of the gorgon, with arms and legs at angles is closely associated with these symbols as well. Some Gorgons are shown with broad, round heads, serpentine locks of hair, large staring eyes, wide mouths, tongues lolling, the tusks of swine, large projecting teeth, flared nostrils, and sometimes short, coarse beards. (In some cruder representations, stylized hair or blood flowing under the severed head of the Gorgon has been mistaken for a beard or wings."

"Some reptilian attributes such as a belt made of snakes and snakes emanating from the head or entwined in the hair, as in the temple of Artemis in Corfu, are symbols likely derived from the guardians closely associated with early Greek religious concepts at the centers such as Delphi where the dragon Delphyne lived and the priestess Pythia delivered oracles. The skin of the dragon was said to be made of impenetrable scales."

(Strangely enough, the movie "Apocalypto" by Mel Gibson, tends to show the Mayan women with this "snake" style hair do. I definitely know that the modern Americans Indians do not sport this hair style. So, what is this movie trying to state here? Already, the God Kulkukan connects to Quetzalcoatl, Huitzilopochtli, and Tohil, is Baal in the Bible)

Now, if you read "Queen of Heaven" chapter, then you should see how the lion symbolism belongs to the goddess Allat. The Lion symbolism may connect to the Chinese Lion dogs, because of it's symbolism. Here in the Wiki states this: "Statues of guardian lions have traditionally stood in front of Chinese Imperial palaces, Imperial tombs, government offices, temples, and the homes of government officials and the wealthy, and were believed to have powerful mythic protective benefits. They are also used in other artistic contexts, for example on door-knockers, and in pottery. Pairs of guardian lion statues are still common decorative and symbolic elements at the entrances to restaurants, hotels, supermarkets and other structures, with one sitting on each side of the entrance, in China and in other places around the world where the Chinese people have immigrated and settled, especially in local Chinatowns. The lions are usually depicted in pairs. When used as statuary the pair would consist of a male leaning his paw upon an embroidered ball (in imperial contexts, representing supremacy over the world) and a female restraining a playful cub that is on its back (representing nurture)."

Does this not remind you of the movie "GhostBusters", in which features the Villain name "Gozer". In the FanWiki states this: "....It is an ancient, destructive, ultra-powerful, defamatory, and malignant god-like entity that sought to destroy the world using a legion of evil spirits. Gozer was worshipped as a deity by the Hittites, Mesopotamians, and Sumerians around 6000 BC. Gozer is genderless (though it first appears as a female in the movie). It was worshipped by the powerful Cult of Gozer. Gozer has two trusted minions – themselves worshipped as demi-gods – that are harbingers and primary agents for Its coming: Vinz Clortho (The Keymaster) and Zuul (The Gatekeeper). What these movies tell people is beyond from what we are told nowadays...

Interesting enough, the Gate Keeper called "Zuul" is based on the place where Jacob had the dream of God on top of the ladder. It is called "Luz" in Genesis Chapter 28:

"12And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven: and behold the angels of God ascending and descending on it. 13And, behold, the LORD stood above it, and said, I am the LORD God of Abraham thy father, and the God of Isaac: the land whereon thou liest, to thee will I give it, and to thy seed;"

"14And thy seed shall be as the dust of the earth, and thou shalt spread abroad to the west, and to the east, and to the north, and to the south: and in thee and in thy seed shall all the families of the earth be blessed. 15And, behold, I am with thee, and will keep thee in all places whither thou goest, and will bring thee again into this land; for I will not leave thee, until I have done that which I have spoken to thee of."

"16And Jacob awaked out of his sleep, and he said, Surely the LORD is in this place; and I knew it not. 17And he was afraid, and said, How dreadful is this place! this is none other but the house of God, and this is the gate of heaven."

"18And Jacob rose up early in the morning, and took the stone that he had put for his pillows, and set it up for a pillar, and poured oil upon the top of it. 19And he called the name of that place Bethel: but the name of that city was called Luz at the first."

There is a documentary called "Plausible points for the serpent" and here details the history of the serpent people and how they impacted the cultures of mankind. There was a segment based on the "Book of Dyzian" from Madame Blavatsky stating the people called the Dasyus as being the offspring of the reptilian gods, as they appear to have the visage of a serpent and black skin.

(Does the song "The Devil put the dinosaurs here" by Alice in Chains have any meaning to this? The music video shows a lot of symbolism towards the Queen of Heaven, the rabbit, a man with the mask of a lamb, and a skeleton with a shriners hat.....)

In Robert E. Howard's book "Children of the night" details this: "The cult worships the Dark Man, an ancient king of the Picts called Bran Mak Morn.....O'Donnel finds himself in earlier incarnation, when his name was Aryara and he was a member of the Sword People, one of the Aryan tribes involved in conquering Britain from the Picts. Still around are the "Children of the Night", snake-like people from whom the Picts conquered the land earlier and whom the Aryans consider vermin." Then begins to describe the people there: "As Aryara, O'Donnel describes the Children of the Night as: Humans they were, of a sort, though I did not consider them so. They were short and stocky, with broad heads too large for their scrawny bodies. Their hair was snaky and stringy, their faces broad and square, with flat noses, hideously slanted eyes, a thin gash for a mouth, and pointed ears."

"They wore the skins of beasts, as did I, but these hides were but crudely dressed. They bore small bows and flint-tipped arrows, flint knives and cudgels. And they conversed in a speech as hideous as themselves, a hissing, reptilian speech that filled me with dread and loathing. They are frequently described as snakes or having snake-like qualities. The Aryan legends say that the Children—none of the Aryans know what they call themselves—used to own the land in an ancient "outworn age" until they were hunted and driven underground by the Picts." The black people are the race that the God of fire told the Aryans to fight against as they entered the land (See "The real Aryans 1 and 2").

They are called "Dasyus" in the Rig Vedas as there are qoutes stating their God Agni had fought against them for the Aryan people. But the problem is from the Rig Vedic stand point, they changed certain things like Indra defeating the Dasyus, when he is actually the black god Murugan, Shiva, Vishnu and Michael, who is known for the "phallic stone".

In the Britannica states this: "Dasyu, Sanskrit dāsa (“servant”), an aboriginal people in India who were encountered by the Indo-European-speaking peoples who entered northern India about 1500 BCE. They were described by the Indo-Europeans as a dark-skinned, harsh-spoken people who worshipped the phallus. Some Western scholars who view the lingam (a Hindu votary object) as a phallic symbol have conjectured that it originated with the dasyu; others hold that this description of the dasyu may have referred to their sexual practices...."

In the article "Ancient India" details this ".... There are several hymns in the Rigveda that refer to Dasa and Aryan enemies. As per Rigvedic verses, the Aryas and the Dasas stood united against their enemies. Dasyus were tree and serpent worshippers, and their principal deity was “Earth God”, to whom they offered human sacrifices till within a very recent period." This is referenced in the Bible as they were "grove" worshippers towards Baal, who is known for the "phallic stone" (See "Stairway to heaven" and "Truth about Shang-di")

Then there was an interview with Dr. Bergrun from Project Camelot stating his findings on NASA. And he states bluntley that "He saw black people coming off these ships", the woman giving the interview was shocked saying " so people with dark skin gettin off..." Bergrun replies "no black".

Now, when I came across this man name Dr. Wesley Swift, he detailed some interesting things about the ancient alien wars in the past and how the black race came from the skies with their god Lucifer. This segment of his speech is in the "Pre-Adamic races", because in Genesis it clearly shows that there were other races here prior to the creation of Adam and Eve. Though he speaks to understand the origins of the white races and others, I can tell he got this information from the Indian-Tibetan scripts about the wars between the Suras and Asuras. (Suras are the Devas) Here is an Excerpt from one of his sermons "Races of the Earth and their differences":

"And we can prove the great antiquity which is involved here. In fact the coming of the Negroes ties into the Ancient Mythology of the Sumerians. They talk about battles and struggles in the sky, and how Negroes came in as workers and warriors of the god called the Battle god of the heavens, or Lucifer as you know him in your theology. And in the theology of the Chinese he was referred to as the Dragon god. Now: there are some things which I think are important for people to know. It taxes some people mentally to think, but it is important that there are some things that they should know. I call this to your attention: the Scripture clearly indicates that in periods of time in the past that there were great catastrophes which swept the earth."

"And when you read in the Book of Genesis:'God created the heavens and the earth', it doesn't put a time element on that creation. The second verse of Genesis says: 'The earth was without form and void, and darkness was on the face of the deep.' Void means aftermath of destruction. Webster calls it the aftermath of destruction by Divine hands. Early theology recognized that there had been an early creation which had been destroyed, or had passed into catastrophe, and was re-altered even before the Genesis story of recreation, and the account of God preparing the earth for Adam-man."

This is why in Genesis 1:28 states to "replenish the earth" meaning to do it again. So, if that is the case then there was an ancient war between one race against another that wiped out everything."

"There is something more significant here about the background of the earth. We have inside the Bible an identity of Lucifer. And you will note that at that time he is referred to as the Dragon. This symbol of the Dragon is one of the emblems of Lucifer, and was even described by the Sumerians as well as the Ancient Chinese as accompanying the great heavenly boat of the Dragon god. So you see they had vehicles which came in from space with symbols painted on them, and they were identified with these symbols."

"Out of the records of what their archaeologists have unearthed from their earliest cities comes their oldest traditions. And they talk about their being the children of the Dragon, and how the Dragon god came. They tell of the change which came upon the people of Asia...after the Dragon god came. They talk about Ancient Deities, and the change of Deities. They talk about a great catastrophe and mighty struggles, and how part of the earth plunged beneath the waters. When they talk about how the earth plunged beneath the waters they are talking about how Ancient MU, and the Ancient wicked continent of Pan slipped beneath the waters of the Pacific."

"Strangely this is to be found in records, and Ancient maps traced into stone which reaches into the high mountains...the Andes..where the people that were the actual creators and constructors of some of the Ancient Inca civilizations far out in surpassing the Indians who occupied it later...these people talked about this high civilization, and they had maps which related to roads and vast extensive lands that were far to the west of them. By the scale of their maps would have extended across most of the Pacific Ocean. The strange thing is that emblems which relate to worship of the Dragon gods, and these maps are found in the high mountains of the Andes, and tie right in with symbols of worship found in Asia, in India, and found also in the Islands of the sea. For on Borneo, Sumatra, and Java we have remnants, and artifacts which show that Ancient civilizations flourished there."

Then there is the late Dr. Delbert Blair as he states the great Extraterrestrial war between the reptilians and the black race. He states that these people (the black angels that came down from the skies) are called the Olmecs who came to help mankind because of the reptilian forces were eating the people and as well were sacrificed to these entities. (which connects to the Book of Enoch as the fallen angel's offspring eating people, and the angels fighting against them) Then he claims that there was a battle between the Olmecs and the Lemurians and Atlanteans that occurred, which is basically the war of the Gods and the Titans.

Now, about Ufologist George Adamski, who said to have had contact to an Extraterrestrial, had described the space brothers as "being Nordic", short and having blonde hair like Scandinavian people. He apparently, would be ridiculed by the "mainstream" Ufologist for stating such a claim and bringing the supposed photos of the flying ship. (this is from Wikipedia) However, Dr. Delbert Blair states that he had met George Adamski, and states that George told him to meet him the following day. And so, when Dr. Blair came, he stated that he had met two black men who, could make him lose time and tell him in the future of what he was going to do, just to prove who they are. Seems like the Nordics are the black extraterrestrials. There are accounts of black extraterrestrials being met by the abductees on several occasions, but obviously are not being told amongst the UFO community.

Now, though he states this claim, however, I don't agree with everything he states though I know he has some interesting topics to listen to. But it is as Sir Godfrey Higgin's states the gods that sort of "intermingled" with mankind are none other than the black people themselves. Now, Ancient aliens did do a segment on these relics called the "Olmec heads" and implied them to having the features of black people.....

There is a show called "American Horror story" detailing the witches and their coven practices. However, in one episode details the black witch revealing how they taught the white people their magic and sorcery "first" then they took the practice into their own ways, thus showing that it came from the black people who taught the white people the sorcery in the beginning (see "Thoth is Enoch). This again, will connect to the angels of the "Book of Enoch" and the "Sons of God" in Genesis 6.

(Now, I couldn't believe these things at first, but through research and the guidance of the God of fire, I'm seeing a whole different picture as to who is being worshiped in these Churches, Masjids, Synagogues etc. But I will tell the reader, that the people here are "Her" children. Meaning the black people are the seed of the woman, who in turn would the great goddess Diana, Isis, Inanna, Lilith etc. This is why they are called the "Sons of God", as this God is a woman who is called "Cybele" the mother of the gods. Then you will know now why the Church worships the black woman who steps on the serpent, and why the dollar bill states "In God we trust". It's basically a woman who is Lucifer...So, if the parent takes the candy away from the first child and gives to the second child, of course the first child will pout and scream as he wants it back. Thus comes the reason why the first beast gives it's power and throne to the second beast. This is the transition of power from the black to the white...)

So, if people think that the Angels defeated the Reptilians, I will highly disagree as the serpent was really a bird originally (See "Legends of the Bird", and "The God of fire"), and the angels/gods are really the Reptilians that defeated the God of fire.....

Then comes an interesting take on the "four living creatures", in which are described as having "full of eyes within", meaning they have "eyes" of the Peacock. It's interesting as they would have the same kind of wings that adhere to the Peacock. If you have read the chapters "Peacock angel", then you will find how the "Tawus Melek", is Michael the archangel and Enoch. Let's see what Ezekial had stated in Chapter 1: 

"1Now it came to pass in the thirtieth year, in the fourth month, in the fifth day of the month, as I was among the captives by the river of Chebar, that the heavens were opened, and I saw visions of God. 2In the fifth day of the month, which was the fifth year of king Jehoiachin's captivity, 3The word of the LORD came expressly unto Ezekiel the priest, the son of Buzi, in the land of the Chaldeans by the river Chebar; and the hand of the LORD was there upon him. 4And I looked, and, behold, a whirlwind came out of the north, a great cloud, and a fire infolding itself, and a brightness was about it, and out of the midst thereof as the colour of amber, out of the midst of the fire."

"5Also out of the midst thereof came the likeness of four living creatures. And this was their appearance; they had the likeness of a man. 6And every one had four faces, and every one had four wings. 7And their feet were straight feet; and the sole of their feet was like the sole of a calf's foot: and they sparkled like the colour of burnished brass. 8And they had the hands of a man under their wings on their four sides; and they four had their faces and their wings. 9Their wings were joined one to another; they turned not when they went; they went every one straight forward. 10As for the likeness of their faces, they four had the face of a man, and the face of a lion, on the right side: and they four had the face of an ox on the left side; they four also had the face of an eagle."

"11Thus were their faces: and their wings were stretched upward; two wings of every one were joined one to another, and two covered their bodies. 12And they went every one straight forward: whither the spirit was to go, they went; and they turned not when they went. 13As for the likeness of the living creatures, their appearance was like burning coals of fire, and like the appearance of lamps: it went up and down among the living creatures; and the fire was bright, and out of the fire went forth lightning. 14And the living creatures ran and returned as the appearance of a flash of lightning. "

"15Now as I beheld the living creatures, behold one wheel upon the earth by the living creatures, with his four faces. 16The appearance of the wheels and their work was like unto the colour of a beryl: and they four had one likeness: and their appearance and their work was as it were a wheel in the middle of a wheel. 17When they went, they went upon their four sides: and they turned not when they went. 18As for their rings, they were so high that they were dreadful; and their rings were full of eyes round about them four. 19And when the living creatures went, the wheels went by them: and when the living creatures were lifted up from the earth, the wheels were lifted up. 20Whithersoever the spirit was to go, they went, thither was their spirit to go; and the wheels were lifted up over against them: for the spirit of the living creature was in the wheels."

"21When those went, these went; and when those stood, these stood; and when those were lifted up from the earth, the wheels were lifted up over against them: for the spirit of the living creature was in the wheels. 22And the likeness of the firmament upon the heads of the living creature was as the colour of the terrible crystal, stretched forth over their heads above. 23And under the firmament were their wings straight, the one toward the other: every one had two, which covered on this side, and every one had two, which covered on that side, their bodies. 24And when they went, I heard the noise of their wings, like the noise of great waters, as the voice of the Almighty, the voice of speech, as the noise of an host: when they stood, they let down their wings. 25And there was a voice from the firmament that was over their heads, when they stood, and had let down their wings. 26And above the firmament that was over their heads was the likeness of a throne, as the appearance of a sapphire stone: and upon the likeness of the throne was the likeness as the appearance of a man above upon it."

"27And I saw as the colour of amber, as the appearance of fire round about within it, from the appearance of his loins even upward, and from the appearance of his loins even downward, I saw as it were the appearance of fire, and it had brightness round about. 28As the appearance of the bow that is in the cloud in the day of rain, so was the appearance of the brightness round about. This was the appearance of the likeness of the glory of the LORD. And when I saw it, I fell upon my face, and I heard a voice of one that spake."

Now, these four living creatures are shown as having four faces as one is a man, an eagle, an ox, and a lion. Then states how they would have feet like a calf, and have six wings on their bodies. But of course, comes the "wheels", that is mentioned by the Prophet Ezekiel, as the would have these "wheels" within a wheel, with full of eyes, and they go wherever the creatures go. These "wheels", I believe are the "Dharma wheels", that is shown among arts and Buddhism. Let's see the excerpts from Wiki:

"The Dharma Chakra (Sanskrit: Dharma Chakra, Pali: dhammacakka, "Wheel of Dharma") is a widespread symbol used in Indian religions such as Hinduism, Jainism and Buddhism. Historically, the dharmachakra was often used as a decoration in Hindu, Jain, and Buddhist temples.Sanskrit: "Wheel of the Law." The Sanskrit noun dharma is a derivation from the root dhṛ, which has a meaning of "to hold, maintain, keep", and takes a meaning of "what is established or firm" and hence "law". It is derived from the Vedic Sanskrit n-stem dharman- with the meaning "bearer, supporter" in the historical Vedic religion conceived of as an aspect of Ṛta."

"Similar wheel/chakra symbols are one of the most ancient in all Indian history. Madhavan and Parpola note that a wheel symbol appears frequently in Indus Valley civilization artifacts, particularly on several seals. Notably, it is present in a sequence of ten signs on the Dholavira Signboard. As a solar symbol it first appears on clay seals of the Indus Valley Civilization from 2500 BCE. Such a wheel is also the main attribute of Vishnu."

(This is similar to the Sudarshana chakra wheel that Vishnu wields, in which is sometimes shown as a six-pointed star. Look up "Saturn Rothchildia" and "The Black God")

"Some historians associate the ancient chakra symbols with solar symbolism. In the Vedas, the god Surya is associated with the solar disc, which is said to be a chariot of one wheel (cakra). Mitra, a form of Surya, is described as "the eye of the world", and thus the sun is conceived of as an eye (cakṣu) which illuminates and perceives the world. Thus, a wheel symbol might also be associated with light and knowledge.....The spokes of a wheel are also often used as symbols of the Buddhist doctrine of dependent origination. According to the Theravada scholar Buddhaghosa: “It is the beginningless round of rebirths that is called the ’Wheel of the round of rebirths’ (saṃsāracakka). Ignorance (avijjā) is its hub (or nave) because it is its root. Ageing-and-death (jarā-maraṇa) is its rim (or felly) because it terminates it. The remaining ten links [of Dependent Origination] are its spokes [i.e. saṅkhāra up to the process of becoming, bhava]."

"The earliest Indian monument featuring dharmachakras are the Ashokan Pillars, such as the lion pillar at Sanchi, built at the behest of the Mauryan emperor Ashoka. According to Benjamin Rowland: ”The Sārnāth column may be interpreted, therefore, not only as a glorification of the Buddha’s preaching symbolised by the crowning wheel, but also through the cosmological implications of the whole pillar as a symbol of the universal extension of the power of the Buddha’s Law as typified by the sun that dominates all space and all time, and simultaneously an emblem of the universal extension of Mauryan imperialism through the Dharma. The whole structure is then a translation of age-old Indian and Asiatic cosmology into artistic terms of essentially foreign origin and dedicated, like all Asoka’s monuments, to the glory of Buddhism and the royal house.” According to Harrison, the symbolism of "the wheel of the law" and the order of Nature is also visible in the Tibetan prayer wheels. The moving wheels symbolize the movement of cosmic order."

(This "Ashoka pillar" is the pillar that Narasimha/lion avatar, comes forth from and kills the Demon King) 

This is what the wheel would look like in comparison. 

Ezekiel 1:18 "As for their rings, they were so high that they were dreadful; and their rings were full of eyes round about them four. 19And when the living creatures went, the wheels went by them: and when the living creatures were lifted up from the earth, the wheels were lifted up. 20Whithersoever the spirit was to go, they went, thither was their spirit to go; and the wheels were lifted up over against them: for the spirit of the living creature was in the wheels. 21When those went, these went; and when those stood, these stood; and when those were lifted up from the earth, the wheels were lifted up over against them: for the spirit of the living creature was in the wheels." 

It states that the wheels would follow where they go, whether up or down, left of right. Now, when I was seeing the movie "The Monkey King" from 2014, and as well the Television series from 2008, I began seeing what these beings called "The Four Heavenly Kings", that would surround the Jade Emperor. I had wondered if these Guards are what the four living creatures are supposed to be based on. I had found a picture with them having "wheels" in the back of their heads as well....

Though they are not described as animals, but it becomes clear that the Jade Emperor is the God in Revelations 4, and those four living creatures are really the Four Heavenly Kings. In the Wiki states this: "The Four Heavenly Kings are four Buddhist gods, each of whom is believed to watch over one cardinal direction of the world. In Chinese mythology, they are known collectively as the "Fēng Tiáo Yǔ Shùn" (simplified Chinese: 风调雨顺; traditional Chinese: 風調雨順; lit.: 'Good climate') or "Sì Dà Tiānwáng" (Chinese: 四大天王; lit.: 'Four Great Heavenly Kings'). In the ancient language Sanskrit they are called the "Chaturmahārāja" (चतुर्महाराज), or "Chaturmahārājikādeva": "Four Great Heavenly Kings". The Hall of the Heavenly Kings is a standard component of Chinese Buddhist temples."

"The character of Vaiśravaṇa is founded upon the Hindu deity Kubera, but although the Buddhist and Hindu deities share some characteristics and epithets, each of them has different functions and associated myths. Although brought into East Asia as a Buddhist deity, Vaiśravaṇa has become a character in folk religion and has acquired an identity that is partially independent of the Buddhist tradition (cf. the similar treatment of Guanyin and Yama). Vaiśravaṇa is the guardian of the northern direction, and his home is in the northern quadrant of the topmost tier of the lower half of Sumeru. He is the leader of all the yakṣas who dwell on the Sumeru's slopes. He is often portrayed with a yellow face. He carries an umbrella or parasol (chatra) as a symbol of his sovereignty. He is also sometimes displayed with a mongoose, often shown ejecting jewels from its mouth. The mongoose is the enemy of the snake, a symbol of greed or hatred; the ejection of jewels represents generosity."

(He connects to the Hindu god Kubera: "Kubera (Sanskrit: कुबेर) also known as Kuvera, Kuber or Kuberan, is the Lord of Wealth and the god-king of the semi-divine Yakshas in Hindu culture. He is regarded as the regent of the North (Dik-pala), and a protector of the world (Lokapala). His many epithets extol him as the overlord of numerous semi-divine species and the owner of the treasures of the world. Kubera is often depicted with a plump body, adorned with jewels, and carrying a money-pot and a club.")

"Virūḍhaka is a major deity in Buddhism. He is one of the Four Heavenly Kings and a dharmapala. King of the south and one who causes good growth of roots. He is the ruler of the wind. His symbolic weapon is the sword which he carries in his right hand to protect the Dharma and the southern continent. Associated with the color blue." 

"Dhṛtarāṣṭra (Sanskrit; Pali: Dhataraṭṭha) is a major deity in Buddhism and one of the Four Heavenly Kings. His name means "Upholder of the Nation.Dhṛtarāṣṭra is the guardian of the eastern direction. He lives on the eastern part of Sumeru. He is leader of the gandharvas and piśācas. Most East Asian depictions of Dhṛtarāṣṭra show him playing a stringed instrument, but the presence of this motif varies. King of the east and God of music. His symbolic weapon is the pipa (stringed instrument). He is harmonious and compassionate and protects all beings. Uses his music to convert others to Buddhism. Associated with the color white." 

"Virūpākṣa is the guardian of the western direction. He lives on the western part of Sumeru. He is leader of the nāgas and pūtanas. He possesses the divine eye (Skt. divyena cakṣuṣā), which allows him to see great distances as well as the karma of sentient beings. King of the west and one who sees all. His symbolic weapon is a snake or red cord that is representative of a dragon. As the eye in the sky, he sees people who do not believe in Buddhism and converts them. His ancient name means "he who has broad objectives". Associated with the color red."

"All four Kings serve Śakra, the lord of the devas of Trāyastriṃśa. On the 8th, 14th and 15th days of each lunar month, the Kings either send out emissaries or go themselves to inspect the state of virtue and morality in the world of men. Then they report their findings to the assembly of the Trāyastriṃśa devas. On the orders of Śakra, the Kings and their retinues stand guard to protect Trāyastriṃśa from another attack by the Asuras, which once threatened to destroy the realm of the devas. They also vowed to protect the Buddha, the Dharma, and the Buddha's followers from danger."

These "Four Heavenly Kings", had battled Sun Wukong and lost against Him. So, it's interesting as the Book of Revelations is really based on the worship of Michael the Archangel, who is Marduk and Baal in the Bible. This provides more evidence that Christianity is based on Buddhism, in which they worship the black gods of the Heavens. 

Then it becomes evident that the "Jade Emperor", really pertains to Michael the Archangel, and the gods of Heaven are the black gods that fought against the Great being called "The Monkey King". This Monkey King, is an Asura (as a bird like being) who became an immortal (Or self created) fire God (Enoch) that was defeating the gods of Heaven, until his defeat by the Black Buddha. This "being", is a red headed god that represents the fiery bird, which is then written down as the "Red Dragon" in the Bible (See "The God of fire", "Legend of the Bird", "Thoth and Enoch" and "The Asuras").